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Mar 7, 2018 - Mar 8, 2018
JEAN METZINGER (FRENCH 1883-1956)
Jeune Femme Pensive aux Roses Rouges, 1923
oil on canvas
81 x 60.5 cm (31 7/8 x 23 3/4 in.)
signed and dated lower right
PROVENANCE
Maitre Blache, Versailles, June 6, 1973, lot129;
Sotheby`s, London, December 4, 1980, lot 576;
Collection of Claudia von Schilling, Berlin;
Tableaux, Berlin, June 11, 2004, lot 1586;
Sotheby`s, New York, November 5, 2004, lot 384;
Millon & Associes Sas, Paris, March 31, 2010, lot 94;
Private Collection, Palm Beach
EXHIBITED
Iowa City, The University of Iowa Museum of Art; Archer M. Huntington Art Gallery, University of Texas at Austin; The David and Alfred Smart Gallery, The University of Chicago; Pittsburgh, Pennyslvania, Museum of Art, Carnegie Institute, Jean Metzinger in Retrospect, 1985-86, no. 185, illustrated p. 106
EXPERTISE
This lot is accompanied by a certificate of authenticity by Bozena Nikiel and will be included in the forthcoming catalogue raisonne of the artist (available upon request)
LOT NOTES
Though best known as a critical figure within the Cubist movement, Jean Metzinger worked in a plethora of styles: from his early Seurat-influenced Divisionism to his later Purist-inspired forms, Metzinger continually expanded his repertoire. Meitzinger did not view such experiments as a departure from Cubism, writing in 1922: I know works whose thoroughly classical appearance conveys the most personal, the newest conceptions... Now that certain Cubists have pushed their constructions so far as to take in clearly objective appearances, it has been declared that Cubism is dead [in fact] it approaches realization. Indeed, Jeune Femme Pensive exhibits decidedly-Cubist features — a compressed, vertical plane with (albeit comparatively slight) modulations in perspective — and presents yet another variation on the "Absinthe Drinker" scene, while simultaneously recalling the monumental, rounded forms of Metzinger's contemporary and friend Fernand Leger.
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