Venetian school; second half of the 18th century. "View from the Rialto". Drawing on paper.

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OLD MASTERS

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Jul 14, 2021

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• Lot Description
  Venetian school; second half of the 18th century. "View from the Rialto". Drawing on paper. Presents moisture stains and flaws in the paper. Size: 18 x 13 cm; 44 x 39 cm (frame). In this work the author collects an urban view, in which the presence of several characters that make up the daily life of the scene is appreciated. However, it is worth mentioning the presence of a bridge, located in the area on the left. Known as the Mint Bridge, or the famous Rialto Bridge, thus helping to locate the scene in a specific area of Venice. It is a drawing framed in the tradition of Venetian vedutismo, whose history begins in the eighteenth century, although it has antecedents dating back to the second half of the fifteenth century. Proud of its power, the city then considered queen of the Mediterranean due to its commercial contacts reinforced it through a true visual propaganda. With the precise and opportunely idealized representation of the scene of so many historical and legendary episodes, a myth was consolidated that was destined to endure over time, even if in the 18th century only shaky foundations remained to support it. On the other hand, the creation of the genre was also based on the influence of the Nordic painters who settled in Italy in the 16th century, many of them specialized in landscape painting (unlike the Italians, who concentrated mainly on the human figure). The new trend would soon become popular in Italy as well, although for the time being it remained confined to a minor genre. These Dutch and Flemish painters, settled in Rome, will produce views characterized by admiration and nostalgia for the beauty of the classical city, combined with the analytical description of details, typical of the Flemish tradition, which will eventually be inherited by the Vedutists. However, they are still views in which the urban setting is subordinated to a narrative episode. The term "vedutismo" itself defines a pictorial genre based on the representation of places in which buildings are present, sometimes populated by a more or less numerous number of characters. Therefore, the protagonist of the painting is the urban landscape, always represented according to the laws of perspective.
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