Spanish school; first half of the 17th century. "San Antonio Abad temptations". Oil on canvas. Relining.

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21st September - ARAS JÁUREGUI Private Collec...

By Setdart Auction House

Sep 21, 2021

Set Reminder 2021-09-21 10:00:00 2021-09-21 10:00:00 America/New_York Bidsquare Bidsquare : 21st September - ARAS JÁUREGUI Private Collection - Old Masters, 19th & 20th Century https://www.bidsquare.com/auctions/setdart-auction-house/21st-september---aras-j-uregui-private-collection---old-masters-19th-20th-century-7429
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• Lot Description
  Spanish school; first half of the 17th century. "San Antonio Abad temptations". Oil on canvas. Relining. It presents repainting and restorations. Measurements: 55,5 x 89,5 cm. Devotional work of landscape format in which the artist presents a classical composition, easy to read, but of great interest. First of all, he clearly divides the space in two; the right side shows a wide landscape, in which a great depth can be seen which is dominated, at the end, by an architectural construction, and on the left side a landscape enclosed by several trees, where a small hut can be seen. What is interesting is that the figure in the centre is not Saint Anthony, the protagonist of this story, but the woman who is trying to tempt him. The saint is displaced to the left, covering his sorrowful face and avoiding the woman's gaze. According to legend, Saint Anthony was born around 251 in Egypt, and at a very young age he retired to the solitude of the desert. He was especially venerated in Catalonia, where adventures and miracles were attributed to him, which served as a theme for Jaume Huguet (1412-1492) for his great altarpiece of Saint Anthony in Barcelona. This saint is usually depicted as we see here, as a bearded old man wearing a hooded sackcloth, a common garment of the Antonites. He is usually depicted reading the Holy Scriptures, and the episode of his temptations in the desert is, together with his visit to Paul the hermit, the most frequently depicted. The iconography of the Temptations of Saint Anthony was first depicted in Italy in the 10th century, and in medieval Europe it was frequently depicted in painting, in illuminated books, and later in German engravings. It is a subject of particular interest because it reflects the struggle between Good and Evil, between Christ and Satan. The present work depicts the saintly hermit in the desert, meditating on the Scriptures and the fleeting nature of earthly pleasures, as the accompanying book attests, although the usual skull, cross and hourglass do not appear.
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