RAFAEL CANOGAR GÓMEZ (Toledo, 1935). Untitled, 1991, from the Suite Olympic Centennial. Silkscreen on 270 grams Vélin d'Arches paper, copy 58/250.

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Contemporary and Actual Art

By Setdart Auction House

Nov 16, 2021

Set Reminder 2021-11-16 08:00:00 2021-11-16 08:00:00 America/New_York Bidsquare Bidsquare : Contemporary and Actual Art https://www.bidsquare.com/auctions/setdart-auction-house/contemporary-and-actual-art-7839
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• Lot Description
  RAFAEL CANOGAR GÓMEZ (Toledo, 1935). Untitled, 1991, from the Suite Olympic Centennial. Silkscreen on 270 grams Vélin d'Arches paper, copy 58/250. Signed, dated and justified by hand. Measurements: 90 x 63 cm. Disciple of Daniel Vázquez Díaz, Canogar was co-founder of the group "El Paso", and during the fifties he developed a fully informalist work, which drifts during the sixties in a complex figuration increasingly narrative. During his mature stage, from 1975 onwards, Canogar invented a new iconography, his own and personal, which he expresses through the mask, the head, the face, as a representation of the man who loses his individuality and becomes a plastic sign, as can be seen in the work we now present. His awards include the National Prize for Plastic Arts (1982), he is a member of the San Fernando Academy, and is represented in the most important modern art collections around the world, such as the Reina Sofia Museum, the MOMA in New York, the Neue Nationalgalerie in Berlin, the Carnegie Museum in Pittsburg, the Rufino Tamayo Museum in Mexico, and the Chicago Art Institute, among many others. The Olympic Suite is composed of 50 lithographs and serigraphs chosen to represent diverse contemporary artistic trends. It was published to commemorate the first centennial of modern Olympism. The chosen artists are defined by diverse movements and pictorial currents, from the conceptualism and minimalism of "Ben" Vautier, the lyrical abstraction of Yasse Tabuchi, the painting of Oleg Tselkov who concentrates on the human figure, intensely expressive and treated with forceful forms and intense colors that seek to reflect the conflicts and violence of his time, and finally the work of André Arabis, clearly abstract and geometric.
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