MANUEL COLMEIRO GUIMARÁS (Pontevedra, 1901 - Salvaterra do Minho, Pontevedra, 1999). "The fair", 1972. Oil on board.

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19th & 20th Century Fine Art

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Dec 14, 2021

Set Reminder 2021-12-14 08:00:00 2021-12-14 08:00:00 America/New_York Bidsquare Bidsquare : 19th & 20th Century Fine Art https://www.bidsquare.com/auctions/setdart-auction-house/19th-20th-century-fine-art-7992
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• Lot Description
  MANUEL COLMEIRO GUIMARÁS (Pontevedra, 1901 - Salvaterra do Minho, Pontevedra, 1999). "The fair", 1972. Oil on board. Presents label on the back of the Biosca Gallery (Madrid) and Montenegro Gallery (Vigo). Measurements: 50 x 65 cm; 83,5 x 68 cm (frame). "Whether I am in America or in Paris, wherever I am, it is the painting that I feel and the one that impresses me the most, especially living outside my land" These are the words of the artist himself who always resorted to themes linked to the tradition of his land. This work is a clear example of his interest in the local, as it collects a day of Fair, where he concentrates a crowd inscribed in a landscape that loses prominence with respect to the profusion of characters. Some protagonists whose features do not define them in a specific way, but the lack of these give rise to represent an archetype, a common tradition. It should be noted that although the theme is related to the costumbrista current, the author uses a completely new language to treat the subject, both the composition defined by a diagonal, as well as the use of a palette of bright and vivid colors place the scene in the panorama of modernity. It is worth mentioning that the representations of fairs were a constant in Colmeiro's painting, an example of this is the work that belongs to the ABANCA collection, which shares the same title and a very similar scenic conception. A Galician painter who emigrated to Buenos Aires, Manuel Colmeiro combined his artistic studies there at night with work in a shoe factory. For a year he studied at the Academy of Fine Arts, which he nevertheless abandoned to form a working group with other painters and sculptors. After this stage, where he developed an expressionist work, he returned to Galicia in 1926. Two years later he held his first exhibition in the salons of Faro de Vigo, and soon obtained a scholarship from the Diputación de Pontevedra to travel to Madrid and further his training at the Academia de Bellas Artes de San Fernando. In the capital, Manuel Colmeiro showed, however, a greater interest in studying first-hand the great masters at the Prado Museum. He continued to make himself known, and in 1932 he took part in an exhibition of new Galician painters at Federico García Lorca's Barraca. However, when the civil war broke out, he went back to Buenos Aires, where he remained until 1948. During this second period in Argentina he will be in contact with Luis Seoane, Rafael Dieste and Rafael Alberti, among others. In 1949 he moved to Paris, where he remained for decades, until 1989, when he returned definitively to Galicia. In fact, Colmeiro is considered part of the Spanish School of Paris. In the 1960s he achieved massive international recognition, with solo exhibitions in London, Paris and Madrid. During these years his work is already focused on popular Galician themes, its culture and its people. He was part of the group known as "Os Novos" or "Os Renovadores", together with Seoane, Laxeiro, Arturo Souto and Maside. All of them, born at the beginning of the 20th century, were considered continuators of the "Nós Generation", and had in common a work with Galician themes combined with avant-garde aesthetics, mainly expressionism, cubism and abstraction. Among them, Colmeiro stood out for the intimate air of his images, accompanied by a lyrical concept of atmospheres, and in fact he was considered the most attached to the tradition of the group. Throughout his career, this artist was awarded several prizes, including the Prêmio das Artes de la Junta de Galicia in 1987 and the Prêmio Celanova, Casa dos Poetas in 1996. He is currently represented in the Afundación Collection, the María José Jove Foundation, the Abanca Collection and the Museum of Pontevedra, among other collections.
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