JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "Female figure with child in her arms." Bronze sculpture

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Classics XIX and XX

By Setdart Auction House

May 18, 2021

Set Reminder 2021-05-18 09:30:00 2021-05-18 09:30:00 America/New_York Bidsquare Bidsquare : Classics XIX and XX https://www.bidsquare.com/auctions/setdart-auction-house/classics-xix-and-xx-6961
The next 18th May there will be a 19th and 20th Century Classics Auction at Setdart.com There will be a select repertoire of important artists such as Carlos Cruz Diez, Luis Feito, Joan Miró, Fernando Botero, Josep Llimona, Salvador Dalí among others. Setdart Auction House sofia@setdart.com

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• Lot Description
  JOSEP CAÑAS I CAÑAS (Banyeres del Penedés, Tarragona, 1905 - El Vendrell, Tarragona, 2001). "Female figure with child in her arms." Bronze sculpture on a marble base. Signed on the left side. Measurements: 39 x 26 x 28 cm (figure) and 4 x 28 x 31 cm (base). Josep Cañas develops a language based on the investigation of volume, determined by the emphatic forms and powerful lines that provide a synthetic vision of the piece. His sculptures present a symbolism of sober and elegant character that sinks its roots in the Mexican culture, source of inspiration and of great emotional roots for the Catalan. Regarding the technical and formal aspects, Cañas demonstrates a great mastery of the craft, a virtuosity especially evident in details such as the faces of the characters, of great expressive charge, or the inner strength of the work. However, where the author's personality shines with more force is in the work of textures and qualities, subtly and masterfully achieved. A self-taught draughtsman and sculptor, Josep Cañas took some courses at the School of Arts and Crafts in Villanueva y la Geltrú, and soon came into contact with artists such as Damià Torrents and Joaquín Mir. In 1925, after a period in Sitges, Cañas settled in Barcelona, where he joined the Círculo de Sant Lluc and the Real Círculo Artístico, being a member of the board of directors of the latter. During these years he devoted himself to landscape painting, and in 1927 he took part in the Second Art Exhibition of the Penedès, held in El Vendrell. He also dedicated himself to theater during these years, and in 1927 he premiered his first play. Two years later he took part again in the Penedès Exhibition. In 1930 he set up his first studio in Barcelona, thanks to a grant from the Diputació de Tarragona, and in 1932 he held his first individual exhibition in the Sala Parés. From these years on, Cañas showed his work regularly at the Salón de Montjuic. In 1935 he is granted a travel grant by the Generalitat, which allows him to travel to London to visit the British Museum, and later to Paris. On his return, in 1937 he was appointed secretary of the Casal de Cultura de Cataluña, although he declined the appointment to go to fight on the Ebro front. There, however, he did not enter combat, but dedicated himself to making the models commissioned by the General Staff. Once the war was over, in 1942 he won the prize for sculpture at the National Exhibition of Fine Arts, and the Museum of Modern Art in Barcelona acquired one of his works. The following year he works with Ignacio Zuloaga, and in 1947 he holds an exhibition at the Museum of Modern Art in Madrid, in which the Institute of Hispanic Culture acquires one of his works to take him to America. He then embarks accompanying the work, which is installed in Carmel, California. In this same city he will hold an exhibition of works made there, the following year. He then travels to Mexico, where he stays for several years and holds several exhibitions of his work, held between Mexico and New York. In 1954 he exhibited at the National Museum of Anthropology in Mexico, and the following year he left the country to participate in the Hispano-American Biennial held in Barcelona, where he was given a room of his own. Once settled in Spain again, he continues to exhibit his work in prestigious galleries such as the Parés in Barcelona, the O'Hana in London or the Museum of Modern Art in Madrid, and to carry out important commissions for the Museum of Geneva and other important clients. In 1957 he won a medal at the National Exhibition of Fine Arts, and in 1964 he inaugurated the relief "La Sardana" in the Retiro Park in Madrid, commissioned by the Casal Català of this city. His public and official recognition will only grow, books are published with his work and he is awarded honors such as "La Sardana", "La Sardana" and "La Sardana".
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