IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - Godella, Valencia, 1916).
"Orientalist Scene", 1880.
Oil on panel.
Signed, dated and located (Rome).
It presents damages in the frame.
Measurements: 26.5 x 40 cm; 47.5 x 61 cm (frame).
In this work of horizontal format, Pinazo, presents a scene where he collects a concrete instant, an atmosphere, which he configures through the use of a quick brushstroke, loaded with pictorial matter, but at the same time precise. As if it were a sketch, the artist transports the viewer to an interior occupied by two characters whose clothes can be identified as Arab. Thus Pinazo takes us to an exotic, unknown, sumptuous and delicate world. Although Orientalism was not a major theme in Pinazo's painting, it is worth mentioning that around 1873, in Rome, he met Fortuny, who set a precedent in the representation of such contents, thus establishing a canon which was highly valued by other artists. It is worth mentioning that, despite this influence, the present work shows the great mastery of the artist, who, through small pictorial touches, highlights the qualities of the objects portrayed, such as the canvases or the bronze lamp on the right of the composition.
Born into a humble family, Pinazo was obliged from an early age to contribute to his family's upkeep through various occupations. He had only completed the eighth year at school when his mother died of cholera, and was soon employed in various trades, including silversmith, tile decorator, baker, gilder and fan painter. After his father's death he moved in with his grandfather and in 1864 he entered the San Carlos Academy of Fine Arts, where he was a pupil of José Fernández Olmos. During this period he earned his living as a milliner. He began his artistic training at the age of twenty-one, achieving his first success three years later in Barcelona. In 1871 he took part for the first time in the National Exhibition of Fine Arts. He was in Rome twice, the first time thanks to the sale of a painting in 1873, and the second time on a scholarship between 1876 and 1881. It was there that he began his major historical productions, far removed from the conventions of the genre. In his first period he developed an academicist style, but from 1874 he began to paint in a more intimate, impressionistic style. When he returned to Valencia he abandoned historical themes and instead began to paint family subjects, nudes and scenes from everyday life. He is now considered a precursor, in both subject matter and style, of Joaquín Sorolla and Francisco Domingo. In 1884 Pinazo left Valencia temporarily due to a cholera epidemic, moving into the house that the banker José Jaumandreu owned in Bétera. From his return that same year until 1886 he taught at the Valencia School of Fine Arts. During these years he received numerous commissions from the Valencian aristocracy, and his clients included prominent figures such as the Marchioness of Benicarló. Pinazo exhibited his works at the National Exhibitions of Fine Arts in Madrid, winning a silver medal in 1881 and 1885 and a gold medal in 1897 and 1899. In 1896 he was appointed a member of the Academy of San Carlos, and in 1906 he became a member of the Academy of San Fernando in Madrid. In 1900 he was involved in the decoration of the staircase of the palace of Don José Ayora, together with Antonio Fillol, Peris Brell, Ricardo Verde and Luis Beüt. During these years he was awarded a royal medal and in 1912 the city of Valencia dedicated a street to him. After his death in 1916, a series of commemorative events were held to commemorate his life and work. Pinazo is currently represented in the Prado Museum, the MACBA in Barcelona, the Museum and Circle of Fine Arts in Valencia, his House-Museum in Godella and the Valencian Provincial Council, as well as in various important private collections. The frame is damaged.