IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - Godella, Valencia, 1916). "Boy and Kids, 1901. Oil on canvas. Work exhibited in: "El intimismo en la pi

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CONTEMPORARY ART

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Oct 19, 2021

Set Reminder 2021-10-19 08:00:00 2021-10-19 08:00:00 America/New_York Bidsquare Bidsquare : CONTEMPORARY ART https://www.bidsquare.com/auctions/setdart-auction-house/contemporary-art-7701
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  IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - Godella, Valencia, 1916). "Boy and Kids, 1901. Oil on canvas. Work exhibited in: "El intimismo en la pintura española, siglos XIX y XX. Quito May-June, 1980. Santo Domingo, Dominican Republic, June-July 1980. Signed and dated in the lower right corner. Measurements: 55 x 46 cm; 79 x 70 cm (frame). In this scene Pinazo shows his great virtuosity with the brush. Combining fleeting touches with longer brushstrokes, which are arranged either horizontally or vertically, the author builds his composition on the basis of this technical game, conditioned by the use of colour. The main character is an infant accompanied by several goats swirling around him. It should be noted that this theme defines a whole facet of the artist's work, in which he had a predilection for depicting children's portraits, often featuring his own children. Born into a humble family, Pinazo was obliged from an early age to contribute to the support of his household through various occupations. He had only completed the eighth year at school when his mother died of cholera and was soon employed in various trades, including silversmith, tile decorator, baker, gilder and fan painter. After his father's death he moved in with his grandfather and in 1864 he entered the San Carlos Academy of Fine Arts, where he was a pupil of José Fernández Olmos. During this period he earned his living as a milliner. He began his artistic training at the age of twenty-one, achieving his first success three years later in Barcelona. In 1871 he took part for the first time in the National Exhibition of Fine Arts. He was in Rome twice, the first time thanks to the sale of a painting in 1873, and the second time on a scholarship between 1876 and 1881. It was there that he began his major historical productions, far removed from the conventions of the genre. In his first period he developed an academicist style, but from 1874 he began to paint in a more intimate, impressionistic style. When he returned to Valencia he abandoned historical themes and instead began to paint family subjects, nudes and scenes from everyday life. He is now considered a precursor, in both subject matter and style, of Joaquín Sorolla and Francisco Domingo. In 1884 Pinazo left Valencia temporarily due to a cholera epidemic, moving into the house that the banker José Jaumandreu owned in Bétera. From his return that same year until 1886 he taught at the Valencia School of Fine Arts. During these years he received numerous commissions from the Valencian aristocracy, and his clients included prominent figures such as the Marchioness of Benicarló. Pinazo exhibited his works at the National Exhibitions of Fine Arts in Madrid, winning a silver medal in 1881 and 1885 and a gold medal in 1897 and 1899. In 1896 he was appointed a member of the Academy of San Carlos, and in 1906 he became a member of the Academy of San Fernando in Madrid. In 1900 he was involved in the decoration of the staircase of the palace of Don José Ayora, together with Antonio Fillol, Peris Brell, Ricardo Verde and Luis Beüt. During these years he was awarded a royal medal and in 1912 the city of Valencia dedicated a street to him. After his death in 1916, a series of commemorative events were held to commemorate his life and work. Pinazo is currently represented in the Prado Museum, the MACBA in Barcelona, the Museum and Circle of Fine Arts in Valencia, his House-Museum in Godella and the Valencian Provincial Council, as well as in various important private collections.
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