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THBGUILLAUME CORNELIS "CORNEILLE" VAN BEVERLOO (Belgium, 1922 - France, 2010). "Femme à l'oiseau", 1989. Mixed media on cardboard. Signed, dated and titl
Lot 97
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Setdart Auction House
Carrer Aragó 346
Barcelona
Spain
Setdart Subastas was born in 2004 and is currently the first online art auction in Spain with solidity, prestige and reliability guaranteed by our more than 60,000 users. Setdart has a young, dynamic and enterprising team ready to successfully manage the purchase and sale of art works through custom...Read more
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Live Auction in Progress ... Currently on Lot Estimate:
EUR€4,000 - EUR€4,500
$4,210.53 - $4,736.84
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About Auction
Live
By Setdart Auction House
Sep 20, 2021
Set Reminder
2021-09-20 08:00:00
2021-09-20 08:00:00
America/New_York
Bidsquare
Bidsquare : CONTEMPORARY ART
https://www.bidsquare.com/auctions/setdart-auction-house/contemporary-art-7482
Setdart Auction House sofia@setdart.com
Setdart Auction House sofia@setdart.com
View Full Catalog (122)
- Lot Description
GUILLAUME CORNELIS "CORNEILLE" VAN BEVERLOO (Belgium, 1922 - France, 2010). "Femme à l'oiseau", 1989. Mixed media on cardboard. Signed, dated and titled in the lower right corner. Size: 24 x 31 cm; 54 x 62 cm (frame). Better known by his pseudonym Corneille, Guillaume Cornelis van Beverloo was a Belgian painter and printmaker of Dutch parents. He began studying art in 1940 in Amsterdam, where he met painters such as Constant and Karel Appel. Interested in the work of Pignon, Matisse and Picasso, he began exhibiting in 1946. He visited Hungary shortly afterwards, where he discovered Surrealism and was influenced by the painting of Klee and Miró. Along with Appel, Constant and others, Corneille was a member of the Dutch "Experimentale Group", collaborated with the magazine "Reflex" and took part in the CoBrA movement (1948-1951). After the dissolution of the latter group, he moved to Paris. Two years later, in 1953, he began to produce etchings, and the following year he began to produce ceramic works. The influence of his collection of African art, acquired during a trip to North Africa in 1949, is evident in the evolution of his work from the late 1950s onwards, as he gradually abandoned abstract landscape painting and began to develop an imaginative style, with landscapes depicted from a bird's eye view, exotic animals and highly stylised figures. Corneille is currently represented at the MoMA in New York, the National Gallery of Slovakia, the Dordrecht Museum, the Museum of Fine Arts, Boston, the Art Institute of Chicago and others.
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