Circle of EUGENIO LUCAS VELAZQUEZ (Madrid, 1817 - 1870); circa 1840-1850. Untitled. Oil on canvas. Antique relined

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22nd September - ARAS JÁUREGUI Private Collec...

By Setdart Auction House

Sep 22, 2021

Set Reminder 2021-09-22 09:30:00 2021-09-22 09:30:00 America/New_York Bidsquare Bidsquare : 22nd September - ARAS JÁUREGUI Private Collection - Old Masters, 19th & 20th Century https://www.bidsquare.com/auctions/setdart-auction-house/22nd-september---aras-j-uregui-private-collection---old-masters-19th-20th-century-7427
ARAS JÁUREGUI Private Collection - Old Masters, 19th & 20th Century Setdart Auction House sofia@setdart.com

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• Lot Description
  Circle of EUGENIO LUCAS VELAZQUEZ (Madrid, 1817 - 1870); circa 1840-1850. Untitled. Oil on canvas. Antique relined Size: 23,5 x 17,5 cm. This type of themes in which young women were represented dressed as majas, being harassed by men or together with older women as a celestina, became popular during the period. Such images were used as a criticism of the society of the time. Mentioned since the 19th century as Eugenio Lucas Padilla, or Eugenio Lucas the Elder, he was the Spanish Romantic artist who best understood Goya's art. Trained in Neoclassicism at the San Fernando Academy, he soon turned his training around and devoted himself to studying Velázquez and, above all, Goya, whose works he admired and copied in the Prado Museum. In Goya's painting, Lucas Velázquez found the starting point for developing his own imaginative personal painting of fantastic visions and unleashed passions, in the purest Romantic style. He also took his subject matter from Goya and painted scenes of the Inquisition, witches' Sabbaths, pilgrimages and bullfights. In 1850 he also painted the ceiling of the Royal Theatre in Madrid, which no longer exists, and later he was appointed honorary chamber painter and knight of the order of Charles III by Queen Isabella II. As a true Romantic, he made several trips, including stays in Italy, Morocco and Paris. His works are characterised by the use of a spirited brushstroke and an unhurried execution, without any concern for drawing, with a dense, impastoed material of great chromatic richness and the presence of strong chiaroscuro. He achieved great success as a genre painter and as a painter of fantastic and sinister scenes, although he was also an excellent landscape and portrait painter. His work is well represented in the Prado Museum, and also in other centres such as the Bilbao Fine Arts Museum, the National Art Museum of Catalonia, the Lázaro Galdiano Museum, the British Museum, the Metropolitan Museum in New York and the Goya Museum in Castres (France).
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