BALDOMERO GALOFRE JIMÉNEZ (Reus, Tarragona, 1846 - Barcelona, 1902). "Equestrian group". Oil on canvas.

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19th & 20th CENTURY PAINTINGS & ORIENTALISM

By Setdart Auction House

Jul 15, 2021

Set Reminder 2021-07-15 08:00:00 2021-07-15 08:00:00 America/New_York Bidsquare Bidsquare : 19th & 20th CENTURY PAINTINGS & ORIENTALISM https://www.bidsquare.com/auctions/setdart-auction-house/19th-20th-century-paintings-orientalism-7212
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• Lot Description
  BALDOMERO GALOFRE JIMÉNEZ (Reus, Tarragona, 1846 - Barcelona, 1902). "Equestrian group". Oil on canvas. Signed in the lower right corner. Size: 21 x 24,5 cm; 42,5 x 56,5 cm (frame). In this work Galofre is close to the Sevillian romantic school, main exponent of the painting of customs of romantic type of the XIX century in Spain. Traditionally, Spanish painting and literature have been interested in customs and popular types. The arrival of romanticism enlivened this current, bringing to the Hispanic tradition the vision that foreigners had of our people, due to the snobbery of a Europeanizing and liberal national bourgeoisie that, also by foreign influence and under the romantic fashion, turns its eyes to the people and the monuments of the past. This, general in all Spain, will be preferably in Andalusia, for being this land the dreamed goal of foreigners, and where the influence of the vision they had of the Spaniard and his peculiar customs had to be felt more strongly. Thus, of the two fundamental costumbrista schools, the Sevillian school is focused on a friendly and folkloric picturesqueness, far from any attempt at social criticism. In this context we find this canvas by Galofre, which shows us a popular Andalusian scene captured with a precious brushstroke and rich in nuances, extremely descriptive. The painter takes pleasure in the description of the details, mainly of the clothes and ornaments, as well as in the narrative, looking for the expressiveness of the gestures and without skimping on the secondary details, on both sides of the central scene. Baldomero Galofre began his training at the Escuela de La Lonja in Barcelona, where he was a disciple of Martí Alsina, and later completed his studies in Madrid. He became known in 1866 at the Fine Arts Exhibition in Barcelona, where he would participate again in 1870, and in 1868 he participated with landscapes and studies at the Aragonese Exhibition in Zaragoza. In 1874 he obtained a pension to further his studies in Rome, where he lived for ten years. There he attended the Chigi Academy and the International Circle of Art, and met Mariano Fortuny in the last months of his life, following the stylistic guidelines of his compatriot. Back in Barcelona, in 1884 he held a personal exhibition that was very well received; Narciso Oller praised his great naturalism, and showed him as an example against history painting. Four years later, in a new individual exhibition, this time in Madrid, one of his works was acquired by the Queen Regent. In 1903, in a special room in the Museum of Barcelona, Galofre presented an important exhibition of his work. He developed a luminous and detailed style, and painted landscapes and popular scenes within the orbit of Fortuny. He was also an extraordinary draughtsman. He is currently represented in the MACBA and the Art and History Museum of Reus, among other public and private collections.
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