Attributed to JUAN DE ESPINAL (Seville, 1714 - 1783). "San Miguel Arcangel". Oil on canvas. Relined.

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Old Masters

By Setdart Auction House

Jun 30, 2021

Set Reminder 2021-06-30 08:30:00 2021-06-30 08:30:00 America/New_York Bidsquare Bidsquare : Old Masters https://www.bidsquare.com/auctions/setdart-auction-house/old-masters-7134
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  Attributed to JUAN DE ESPINAL (Seville, 1714 - 1783). "San Miguel Arcangel". Oil on canvas. Relined. Measurements: 41 x 27 cm. Juan de Espinal was able to overcome the then predominant Murillo spirit prevailing in local painting, opening up to other tendencies coming from Europe, among which the Rococo style predominated. He possessed an elegant sense of chromatism, a light brushstroke and an agile and vibrant drawing, as we see in this San Miguel Arcángel. Among the attributions, we can mention the Immaculate Conception preserved in the Lázaro Galdiano Museum in Madrid and the tempera decoration of the vault of the Church of San Francisco de Utrera, on the theme Apotheosis of the Jesuit Order. He has also been attributed a series of thirteen paintings of circular format, now conserved in the Santa Casa de Loyola in Guipúzcoa, possibly copies of the series of Jesuit stories that the Flemish Jesuit Ignacio Raeth painted for the Novitiate of Madrid. Son of the painter Gregorio Espinal, Juan de Espinal must have received his first artistic teachings from his father. He apprenticed in the workshop of Domingo Martínez, where he probably met his master's daughter, Juana Martínez, whom he would later marry. In 1749, after the death of his father-in-law and master, he inherited his father's workshop and presumably his clientele, enjoying a prestigious position. Proof of this are the various commissions he received, both from the city council and the ecclesiastical hierarchy. Another of his facets was teaching, being one of the main promoters of the art school known as Real Escuela de las Tres Nobles Artes de Sevilla and director of the painting section of this school since 1775. His first work of which we have evidence is the tempera decoration of the vault of the Church of El Salvador (Seville). It is a representation of the heavenly Glory presided over by the Holy Spirit in the form of a dove. In 1759 he was commissioned by the City Council of Seville to paint a picture of Saints Justa and Rufina, a theme already treated by Murillo. The result was a splendid work in which Espinal introduced iconographic novelties in the representation of these saints. Other of his most brilliant works are the Alegoría de la pintura Sevillana, currently on display at the Real Academia de Bellas Artes de San Fernando (Madrid), and San Carlos Borromeo dando la comunión a los apestados de Milán (Church of San Nicolás de Bari in Seville). His best set of works is undoubtedly the series of fifteen paintings on religious themes commissioned by the Archbishop of Seville Don Francisco Javier Delgado y Venegas and currently housed in the Archbishop's Palace of this city, among them are: The Archangel St. Michael, St. Gabriel, The Sacrifice of Isaac, Jacob's Dream and The Angel announcing the plague to David. It is known the existence of paintings on profane themes, such as Venus and Vulcan, but none of them has been preserved.
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