ALBERTO GARCÍA-ALIX (León, 1956) "Marga", 2002. Photograph in b/w, copy 4/7.

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Contemporary and Actual Art

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Dec 15, 2021

Set Reminder 2021-12-15 07:00:00 2021-12-15 07:00:00 America/New_York Bidsquare Bidsquare : Contemporary and Actual Art https://www.bidsquare.com/auctions/setdart-auction-house/contemporary-and-actual-art-7967
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• Lot Description
  ALBERTO GARCÍA-ALIX (León, 1956) "Marga", 2002. Photograph in b/w, copy 4/7. Signed, titled, dated and justified on the back. Precedence: Juana de Aizpuru Gallery, Madrid. Measurements: 47 x 47 cm; 70 x 70 cm (frame). Renowned Spanish photographer, he was one of the stalwarts of the "movida madrileña". Since the eighties, when García-Alix immortalized the atmosphere and the protagonists of this cultural movement that would eventually acquire prestige in their respective fields (Pedro Almodóvar, Rossy de Palma, Camarón de la Isla...), his photographic work has also been revalued with the passing of the years. He received the National Photography Award in 1999. He was a special guest of El País newspaper in ARCO'10. He has held solo exhibitions in galleries (Buades, Moriarty , Efti in Madrid; Tecla Sala and H2O in Barcelona, Cavenamen in Seville...) and museums, among others: the MUSAC (León), in the Centro Galego de Arte Contemporáneo, in the Museo de Arte Contemporáneo de Madrid, in the Museo Reina Sofía (retrospective in 2008) and, these days is still in progress the retrospective that La Virreina Centre de la Imatge, Barcelona: "Alberto García-Alix, autorretrat", 2013. Whether he appears directly or his most intimate surroundings, from his cat to his lovers, from his room to the urban corners he saved from anonymity by integrating them into an epic tale, his work as a whole can be understood as a great self-portrait. García-Alix defines himself as "a rabid exhibitionist of my time and my anguish". On another occasion he affirms: "The people I have treated and photographed are only a part of my generation, the most lost. Ninety percent of my chronological generation has nothing to do with me. I tend to portray more anonymous beings than known people. Those I have portrayed were always on the edge".
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