"Edward Weston was an influential American photographer known for his pioneering work in modernist photography and his precise and intimate exploration of form, texture, and detail. He was born on March 24, 1886, in Highland Park, Illinois, and passed away on January 1, 1958. Weston's career as a photographer began in the early 1900s, and he became associated with the modernist movement in photography during the 1920s and 1930s. He was part of the Group f/64, a collective of photographers that advocated for sharp focus, precise detail, and capturing the inherent beauty of everyday objects. One of Weston's notable contributions to photography was his exploration of natural forms, such as shells, vegetables, and landscapes. He emphasized the abstract qualities of these subjects, capturing their shapes, textures, and tonal range in exquisite detail. Weston's approach to photography was characterized by his use of large-format cameras and his mastery of lighting and composition. Weston's photographs often featured close-ups and tightly framed compositions, isolating the subject and allowing viewers to appreciate its intricate details. His work showcased a meticulous attention to form and a sensitivity to the play of light and shadow, creating visually striking and evocative images.
Throughout his career, Weston produced a vast body of work, including portraits, landscapes, still lifes, and nudes. His photographs are known for their technical precision and their ability to transform ordinary subjects into objects of beauty and contemplation. Edward Weston's contributions to photography have had a lasting impact on the medium. His exploration of form, his commitment to artistic integrity, and his dedication to capturing the essence of his subjects continue to inspire and influence photographers today. Weston's photographs are exhibited in major museums and galleries worldwide, and his legacy as one of the most important figures in the history of photography remains firmly established.
Measures 9.49 x 7.5
Printed circa 1950s
Verso is blank.
Mounted to archival quality paper.
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Condition
Good condition. No rips, tears, creases.