Utagawa Hiroshige (1797-1858) Japanese, Woodblock Print

About Auction

Live

Day 2 - Colossal Fine Art, Asian & Antiques

By Sarasota Estate Auction

Nov 3, 2024

Set Reminder 2024-11-03 11:00:00 2024-11-03 11:00:00 America/New_York Bidsquare Bidsquare : Day 2 - Colossal Fine Art, Asian & Antiques https://www.bidsquare.com/auctions/sarasota-estate/day-2---colossal-fine-art-asian-antiques-16631
Over 1,000 lots will be offered in day 2 of our 2 day weekend. There are multiple lots of important fine art from landscapes and etchings to old masters and portraits. We have a great collection of sterling silver, WWII posters, Asian antiquities, a lifetime collection of woodblock prints, oriental rugs, bronze sculptures, and more! Sarasota Estate Auction sarasotaestateauction@gmail.com

View Full Catalog (1014)

• Lot Description

  Utagawa Hiroshige (1797-1858) Japanese, Woodblock Print. Kanji upper middle reads "Otsu, Soii Chaya" (Thank you, Alongi Teahouse). 

  Overall: 12 1/2 X 16 1/2 in. 

  Sight: 7 1/2 X 11 3/4 in. 

  #3871 . 

  Utagawa Hiroshige was born Andō Tokutarō in Edo (now Tokyo) in 1797. He was from a samurai family and the great-grandson of Tanaka Tokuemon, who held a position of power under the Tsugaru clan in the northern province of Mutsu. Hiroshige went through several name changes as a youth: Jūemon, Tokubē, and Tetsuzō. His mother died in early 1809, followed by his older sister and father later that same year, placing him in charge of the family’s fire warden duties for Edo Castle when he was only twelve. The income from this eased some of his burdens, and he began to paint in his spare time. He sought the tutelage of Toyokuni of the Utagawa school, but Toyokuni had too many pupils to make room for him. A local librarian introduced him instead to Toyohiro, of the same school. By 1812 he was permitted to sign his works, which is when he began using the art name Hiroshige. He also studied the techniques of the well-established Kanō school, the nanga whose tradition began with the Chinese Southern School, and the realistic Shijō school, as well as being exposed to the linear perspective techniques of Western art and uki-e. Hiroshige’s apprentice work included book illustrations and single-sheet ukiyo-e prints of female beauties and kabuki actors in the Utagawa style, sometimes signing them “Ichiyūsai” or, from 1832 onward, “Ichiryūsai.” In 1823 he passed his post as fire warden on to his son, though he still acted as an alternate. He declined an offer to succeed Toyohiro upon the master’s death in 1828. It was not until the next year that Hiroshige began to produce the landscapes he is best known for, such as the Eight Views of Ōmi series. He also created an increasing number of bird and flower prints about this time. About 1831 his Ten Famous Places in the Eastern Capital appeared, leading to an invitation to join an official procession to Kyoto the following year. It gave Hiroshige the opportunity to travel along the Tōkaidō route that linked the two capitals, and he sketched the scenery along the way, leading to the best-selling series The Fifty-three Stations of the Tōkaidō. He followed up these horizontal-format landscapes with a vertical series titled One Hundred Famous Views of Edo. The subjects of his work were atypical of the ukiyo-e genre, which traditionally focused on beautiful women, popular actors, and scenes of urban pleasure districts. Subtle use of color was essential in Hiroshige’s prints, often printed with multiple impressions in the same area and with extensive use of bokashi (color gradation), both of which were labor-intensive techniques. In 1856 he “retired from the world,” becoming a Buddhist monk. He died in 1858 during the Great Edo Cholera Epidemic, having completed over 8,000 works in his lifetime. Most scholars and collectors see Hiroshige’s death as the beginning of a rapid decline in the ukiyo-e genre, especially in the face of the Westernization that followed the Meiji Restoration of 1868. His work also had a marked influence on western European painting towards the end of the 19th Century, as a leading part of the trend in Japonisme. Western European artists, such as Manet and Monet, collected and closely studied his compositions, and Vincent van Gogh even painted copies of some Hiroshige prints.

• Shipping Info

  • SHIPPING INFORMATION·

    Sarasota Estate Auction IS NOT RESPONSIBLE FOR SHIPPING! BUYER MUST ARRANGE SHIPPING. All shipping will be handled by the winning bidder. Sarasota Estate Auction recommends obtaining shipping quotes before bidding on any items in our auctions. To obtain a quote, please email info@premiershipment.com. Be sure to include the lot you are interested in and address you would like the quote for. Refunds are not offered under any circumstances base on shipping issues, this is up to the buyer to arrange this beforehand.

    BIDDER MUST ARRANGE THEIR OWN SHIPPING. Although SEA will NOT arrange shipping for you, we do recommend our preferred shipper Premier Shipping & Crating at info@premiershipment.com You MUST email them, please DO NOT CALLl. If you'd like to compare shipping quotes or need more options, feel free to contact any local Sarasota shippers. You can email any one of the shippers below as well. Be sure to include the lot(s) you won and address you would like it shipped to. Brennan with The UPS Store #0089 - 941-413-5998 - Store0089@theupsstore.com AK with The UPS Store #2689 - 941-954-4575 - Store2689@theupsstore.com Steve with The UPS Store #4074 - 941-358-7022 - Store4074@theupsstore.com Everett with PakMail - 941-751-2070 - paktara266@gmail.com

• Payment & Auction Policies

  • Available payment options

    • 
    • 
    • 
    • 
    • 
    • 
    • 
    

    We accept all major credit cards, wire transfers, money orders, checks and PayPal. Please give us a call at (941) 359-8700 or email us at SarasotaEstateAuction@gmail.com to take care of your payments.

• Buyer's Premium
  • 28.00 %
• Size
  12 1/2 X 16 1/2 in. 
• LiveA Cat Code
  12
• LiveA Material & Tech Code
  25903