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THBEd Ruscha "Sin-Without" Lithograph on Wove Paper
Lot 177
About Seller
Revere Auctions
755 Prior Ave N, #235C
St. Paul, MN 55104
United States
Revere Auctions is a premier auction house located in Saint Paul, Minnesota.
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Live Auction in Progress ... Currently on Lot Estimate:
$20,000 - $30,000
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| $300 | $50 |
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| $500,000 | $25,000 |
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About Auction
Live
By Revere Auctions
Sep 23, 2020
Set Reminder
2020-09-23 11:00:00
2020-09-23 11:00:00
America/New_York
Bidsquare
Bidsquare : Fine and Decorative Arts: Day 1
https://www.bidsquare.com/auctions/revere-auctions/fine-and-decorative-arts-day-1-5527
A diverse selection of fine and decorative arts, including paintings, prints, and sculpture alongside Native American Art, art glass, and Art Deco furnishings and accessories. Revere Auctions info@revereauctions.com
A diverse selection of fine and decorative arts, including paintings, prints, and sculpture alongside Native American Art, art glass, and Art Deco furnishings and accessories. Revere Auctions info@revereauctions.com
View Full Catalog (248)
- Lot Description
Ed Ruscha (b. 1937). Lithograph on wove paper titled "Sin-Without," 2002, printed by Steven Anderson, Akasha, Minneapolis, with his blindstamp. Provenance: Akasha Fine Art, Minneapolis, MN Private Collection, MN Ed Ruscha (b. 1937) studied at the Chouinard Art Institute from 1956 to 1960 where he was taught under Robert Irwin and Emerson Woelffer. While at school, Ruscha edited and produced the journal “Orb” (1959-60). During this time he came across Jasper Johns’ “Target with Four Faces” (1955), a formative work for Ruscha who went on to employ Johns’ use of commonplace objects as supports for abstraction. After graduation, he began working as a layout artist at Carson-Roberts Advertising Agency in Los Angeles. From 1965-69, he was a layout designer for Artforum magazine under the pseudonym “Eddie Russia.” In 1969, Ruscha took a teaching position at UCLA as a visiting professor for printing and drawing. This editorial and commercial art experience plays into Ruscha’s works which elevate words to an art form. Irony and wit are apparent in Ruscha’s choice of vernacular. In the 1970s, he and other artists, such as Barbara Kruger and Jenny Holzer, began using whole phrases in their art, a characteristic in post-Pop Art. In the 1980s, Ruscha created and began using his own typeface named “Boy Scout Utility Modern” in which letters are all-caps and squared-off. This can be seen in his work “Cold Beer Beautiful Girls” (2009).
Sight; height: 26 3/4 in x width: 46 in. Framed; height: 29 1/2 in x width: 49 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Condition
Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions. - Shipping Info
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