Paul Wunderlich (German, 1927- 2010) Lithograph

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By Myers Antiques

Apr 30, 2023

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• Lot Description
  Paul Wunderlich (German, 1927 - 2010) Lithograph. Title - Derrière le Rideau (Behind the Curtain) Lithograph Print. Signed lower right in pencil, Wunderlich. Edition lower left 55/75 Inscribed on reverse, Derriere le Rideau 1967. Redfern Gallery, London label on reverse with artist’s name and title, dated May 14, 1968. Catalogue Volker Huber 298. Sheet measures 25.5 inches high, 19.75 inches wide. Frame measures 32 inches high, 26.25 inches wide. In good condition, tape hinged, not laid down with light mat burn. From the Water Mill, NY estate on Long Island of Academy Award nominated film director Anthony Harvey (1930-2017).
  
  From Askart.com: A German artist who lives and works both in Hamburg and the south of France, Paul Wunderlich (1927 - 2010) is especially known for lithography. He was born in Berlin and served in the German Army during World War II. From 1947 to 1951, he was in Hamburg where he studied with Willi Titze and Willem Grimm, and in the early 1960s, he went to Paris where he focused on lithographs and was very productive in that medium. From 1963 to 1967, he was a Professor in Hamburg at the Hochschule fur Bildende Kunste. His wife was Karin Székessy. Exhibition venues include: Hamburg; Frankfurt; Stuttgart; Munich; Dusseldorf; Berlin; and San Francisco and Philadelphia in the United States. Museum collections with his work include: the British Museum; Museum of Modern Art in Philadelphia; Victoria and Albert Museum in London; Hirshhorn Museum in Washington DC; and the Musee des Beaux-Arts in Brussels. From Auctionata.com: Paul Wunderlich was born in 1927, in Eberswalde. He was a German painter, sculptor, and printmaker. In 1947, he began his printmaking-studies at the Hamburg School of Art under Willi Tietze and Willem Grimm. After his studies, he worked as a lecturer, and professor at the school. During this time he also printed for other artists such as Emil Nolde and Oskar Kokoschka. He predominantly depicted erotic themes in his neo-surrealistic paintings and sculptures. Wunderlich was awarded with numerous prizes for his work. Paul Wunderlich passed away in 2010.
  
  Obituary from NY Times – Dec. 13, 2017: Anthony Harvey, Lion in Winter - Director and Kubrick Editor, Dies at 87.
  
  It might have gone down as the most ridiculous scene in the most audacious film that Anthony Harvey ever worked on, but at least as Mr. Harvey told the story, a momentous event in the real world kept it from the moviegoing public. It was an epic two minutes worth of pie throwing, and it was originally to be the ending of - Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, - Stanley Kubrick’s dark satire of the nuclear age. Mr. Harvey, the editor on that movie, was pretty pleased with the way the chaotic scene had come out. It was a brilliant piece of work, he once said. Who knows? I certainly thought it was. But the movie, which was scheduled for release in January 1964, was to receive its press premiere in late November 1963 — right when all sorts of plans were thrown into turmoil by the assassination of President John F. Kennedy. That ending, how it started, the George Scott character threw a custard pie to the Russian ambassador, and it missed and hit the president, Mr. Harvey told the film journalist Glenn Kenny in 2009. Columbia Pictures, he said, was very nervous about anything to show the president, any president in that state. As a result, the pie-throwing scene was scrapped. Others involved with the movie have over the years given different explanations for the changed ending, but in any case the airborne pies were replaced with the now familiar montage of nuclear explosions - set to Vera Lynn’s rendition of the song We’ll Meet Again, an unsettling ending instead of a slapstick one. Mr. Harvey would go on to become a director himself, teaming with Katharine Hepburn on several films, most notably The Lion in Winter (1968), for which he was nominated for an Oscar. He died on Nov. 23 at his home in Water Mill, on Long Island, at age 87. The Brockett Funeral Home confirmed the death. Mr. Harvey was born on June 3, 1930, in London. His father, Geoffrey Harrison, died when he was young, and after his mother, the former Dorothy Leon, remarried, he took the surname of his stepfather, Morris Harvey, an actor. He got an early taste of the movie business when he was cast in a small part in the 1945 film “Caesar and Cleopatra,” which starred Claude Rains and Vivien Leigh, but his real entree came when he landed a job as an editor for the British filmmakers John and Roy Boulting. He learned the art of editing as it was done in predigital days, pasting countless film clips together by hand. He received his first film-editor credits in 1956, on a short called - On Such a Night and the feature Private’s Progress, a war comedy. He was the editor on Kubrick’s - Lolita in 1962, which led to the - Dr. Strangelove assignment, a difficult one that involved cutting between three concurrent story lines, one set in the war room of the American government. We had a huge kind of war room of our own in the cutting room, Mr. Harvey told Mr. Kenny, and we put up pieces of paper representing every sequence in different order. It was Kubrick, he said in a 1994 interview with The New York Times, who told Mr. Harvey that he was ready to direct. It was Kubrick, too, who gave him an important piece of advice: If an actor is giving a dazzling performance, hold on to that shot and resist the temptation to cut away to, for instance, the reactions of other characters in the scene. In 1966, Mr. Harvey directed - Dutchman, a short film based on a play by LeRoi Jones, who would become better known as Amiri Baraka. Peter O’Toole was impressed enough by that film that he recruited Mr. Harvey for - The Lion in Winter, in which Mr. O’Toole starred as Henry II opposite Katharine Hepburn as Eleanor of Aquitaine. Working with her is like going to Paris at the age of 17 and finding everything is the way you thought it would be, Mr. Harvey said. Hepburn won an Oscar for her performance, splitting the award with Barbra Streisand, who won for Funny Girl. Mr. Harvey also directed Hepburn in a well-regarded television adaptation of Tennessee Williams’s - The Glass Menagerie in 1973. John J. O’Connor, reviewing that film in The Times, called it a special TV event, demanding attention. It won four Emmy Awards. But Mr. Harvey’s output as a director was limited. His handful of theatrical releases included the comedy - They Might Be Giants in 1971, the drama Richard’s Things in 1981 and another Hepburn vehicle, Grace Quigley, in 1985. That movie was poorly received, and Mr. Harvey retreated from film directing, returning only in 1994 for This Can’t Be Love, a television movie starring Hepburn and Anthony Quinn. He retired to his Long Island home, which he had acquired three years earlier. He leaves no immediate survivors. Mr. Harvey was comfortable working in Hollywood but preferred life on the East Coast, where the film business was not quite so all-consuming. He told of once having surgery in a Los Angeles hospital. As I was coming to, he recalled, the anesthesiologist said, - I’m very anxious to get into movies.
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