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THBJustino Fernández. El Lenguaje de la CrÃtica de Arte / Coatlicue / El Hombre Estética del Arte Moderno y Contemporáneo... Piezas: 6.
About Seller
Monte Athos 179, Lomas de Chapultepec, Lomas de Chapultepec V Secc
Mexico City, CDMX 11000
Mexico
Morton Subastas opened in 1988 as Louis C. Morton Galleries in Mexico, that same year he held his first auction. Since then, Morton Subastas has developed as the only prestigious auction house in Mexico, we have specialists in the areas of antiques, modern and contemporary art, jewelry and timepiece...Read more
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About Auction
LiveOct 2, 2019
Auction of Photography, Art, Literature and Automovilism books from the Collection of the Engineer Don Lorenzo Zambrano. Morton Subastas ldiaz@mortonsubastas.com
View Full Catalog (271)
- Lot Description
BB - Fernández, Justino.
El Lenguaje de la Crítica de Arte / Coatlicue / El Hombre Estética del Arte Moderno y Contemporáneo / El Retablo de los Reyes / Estética del Arte Mexicano / Mexican Art.
a) Fernández, Justino.
El Lenguaje de la Crítica de Arte, Discurso.
México: UNAM, 1965. 8o. marquilla, 56 p. Firmado y dedicado por el autor. Encuadernado en pasta dura, en piel. b) Fernández, Justino.
Coatlicue, Estética del Arte Indígena Antiguo.
México: UNAM, 1959. 8o. marquilla, 302 p. Firmado y dedicado por el autor. Encuadernado en pasta dura. c) Fernández, Justino.
El Hombre Estética del Arte Moderno y contemporáneo.
México: UNAM, 1962. 8o. marquilla, 362 p. Firmado y dedicado por el autor. Encuadernado en pasta dura. d) Fernández, Justino.
El Retablo de los Reyes, Estética del Arte de la Nueva España.
México: UNAM, 1959. 8o. marquilla, 389 p. Firmado y dedicado por el autor. Encuadernado en pasta dura. e) Estética del Arte Mexicano.
México: UNAM, 1972. 4o. marquilla, 599 p. Firmado y dedicado por el autor. Encuadernado en pasta dura. f) Fernández, Justino.
Mexican Art.
London: Spring Books, 1966. 4o. marquilla, 59 p. 59 plates in full colour and 7 black and 7 black and white illustrations. Encuadernado en pasta dura. Total de piezas: 6.
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