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THBFederico García Lorca Chant funèbre pour Ignacio Sanchez Mejias. Mit 10 Textlithographien nach Picasso in schwarz-weiß im Text, 4 Prägedrucke nach Pic
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About Auction
LiveDec 14, 2021
Jeschke Jádi Auctions Berlin GmbH info@jvv-berlin.de
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- Lot Description
Französische Bibliophilie - Picasso, Pablo
Lorca, Federico García
Chant funèbre pour Ignacio Sanchez Mejias. Mit 10 Textlithographien nach Picasso in schwarz-weiß im Text, 4 Prägedrucke nach Picasso von Guy Descouens und 4 farbige ganzseitige Lithographien nach Picasso.71 S., 2 Bl. Folio. Lose Doppelbogen in Original-Karton mit Prägedruck nach Picasso. In schwarzer OLeinen-Kassette. (Bièvres en Essone), Pierre de Tartas, 1976.
Monod 7276. - "5 empreintes gravées et compositions en couleurs et au lavis gravés sur bois". Eines von 220 numerierten Exemplaren auf Grand Vélin d'Arches (GA 300 Ex.). Druckvermerk vom Verleger signiert. "Sanchez Mejias was a famous bullfighter, writer and passionate lover of literature. He and Lorca were destined to become friends, and did so through a mutual friend, Encarncion Lopez Julvez, who was a famous dancer and singer and was also known as 'La Argentinita'. Sanchez Mejias was her manager, and it was to her that Lorca dedicated the poem. On August 11th, 1934 at the age of 43, Sanchez Mejias re-entered the bullring at the request of another bull fighter who was injured. At this time Lorca was in the town of Santander. This seems to come across in the narrative style of the Lament, that Lorca has shown up sometime after the tragic event to see Mejias lying dead. Lorca used the lyrical devices learnt in his earlier poems and combined them with the narrative style of the historical ballad. Overall, the poem uses the rhythm of a 'gypsy lament' which carries the emotional impact of the tragedy. - Die Lithographien und Prägedrucke in der Platte von Picasso signiert. Stellenweise mit geringem Abklatsch, sonst sehr sauberes und wohlerhaltenes Exemplar.
With 10 text lithographs in black and white in the text, 4 embossed prints after Picasso by Guy Descouens and 4 color full-page lithographs after Picasso. The lithographs and embossed prints in the plate signed by Picasso. In places with a small print, otherwise very clean and well-preserved copy. One of 220 numbered copies on Grand Vélin d'Arches (GA 300 copies). Printed note signed by the publisher.
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