2229 Lincoln Street
Cedar Falls, IA 50613
United States
Founded in 1969, Jackson’s International Auctioneers and Appraisers has grown to become one of the nation’s premier service providers for the sale and appraisal of antiques and fine art. Our regularly scheduled auctions bring to market a broad array of objects, including Russian icons, Old Master pa...Read more
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Nov 29, 2016 - Nov 30, 2016
Walter Quirt was born in Northern Michigan in the year 1902. He studied art at the Layton School of Art in Wisconsin from 1921 until 1923 and later at the McDowell Colony in New Hampshire in 1928. He was one of the most vital and active figures of the New York avant-garde art world of the 1930s. He worked for the Works Project Administration painting murals in the mid-1930s.
He later moved to Minneapolis and taught art at the University of Minnesota from 1956 to 1968. Early in his career, Quirt painted the social problems of his time in realistic style. He also involved himself in left-wing causes by illustrating political magazines, such as The Masses, and by joining radical artists groups. Quirt was a member of the John Reed Club.
After working with socialist themes for many years, Quirt became one of the first American artists to experiment with Surrealism. He had a retrospective exhibition of his work in 1960 through the American Federation of Fine Arts, and he showed during his career at the Art Institute of Chicago, Whitney Museum of American Art, Metropolitan Museum of Art, Brooklyn Museum, and the Detroit Institute of Arts.
By the time the Museum of Modern Art held their landmark 1936 exhibition on Surrealism, Walter Quirt was already defining his approach to Surrealism that had been displayed first as early as 1933. Quirt's attitude was that Salvador Dali and others had not taken full advantage of the possibilities that Surrealism offered, and that artists using free association to explore the language of emotions on problems the public feels but has not the means for projecting into actualities was a positive move.
Quirt's painting reflects a subliminal consciousness that is based in Hegelian theories of metaphysics and psychoanalysis, and James Joyce literature. Quirt's dreams supplied this disturbing theatrical imagery of interlacing color and distorted clown figures. Given Quirt's previous tendency toward social commentary and the current events of World War II, his paintings could be interpreted as a discourse on the problems of the era, but more likely was one such as those described in the early 1940s as enigmatic.
Many of Quirt's paintings exhibit an active and colorful format. Quirt's painting shows fragmented, sometimes "halequin-esque" figures (such as in the offered lot). In doing so, he makes a uniquely American Surreal picture that, at the same time, resonates with the work of many European émigrés who had recently fled America to escape Nazi persecution.
Quirt died of lung cancer on March 19, 1968, in Minneapolis, Minnesota.
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