Jean-Jules-Antoine Lecomte du Nouy (French, 1842-1923)

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European Furniture and Decorative Arts, Sessi...

By Hindman

Feb 23, 2021

Set Reminder 2021-02-23 11:00:00 2021-02-23 11:00:00 America/New_York Bidsquare Bidsquare : European Furniture and Decorative Arts, Session I https://www.bidsquare.com/auctions/hindman-auctions/european-furniture-and-decorative-arts-session-i-6369
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• Lot Description
  Jean-Jules-Antoine Lecomte du Nouy (French, 1842-1923)
  Alexander the Great Before the Tomb of Achilles
  oil on canvas
  signed Jean du Nouy Pinxit (lower right)
  75 5/8 x 44 inches.
  
  Note:
  This painting was possibly exhibited at the Paris Salon of 1912, no. 1097. It appears to be nearly identical to the painting titled Alexandre au tombeau d’Achille by Jean-Jules-Antoine Lecomte du Noüy exhibited at the 1912 Salon as illustrated in the Granger Historical Picture Archive. The only visible discrepancies between Lecomte du Noüy’s Salon painting and lot 119 appear on the figure of Achilles in the upper-right quadrant. In lot 119, Achilles’ face is more masculine in appearance, and his right hand grasping the sword is absent from the Salon painting, which, by contrast, presents a softer and more feminine rendition of the Greek hero, his cloak culminating in a high collar that is absent in lot 119. According to Roger Diederen’s catalogue raisonné of Lecomte du Noüy’s work, the painting’s original giltwood frame bore the carved inscription Honorer les héros engender des Héros/ Avant de combattre les Perses/ Alexandre sacrifie au tombeau d’Achille/ H.C.; we are unable to determine whether this lot’s period and stylistically correct giltwood frame is original, as it lacks a carved inscription but has been restored. It is possible that lot 119 is, in fact, the restored painting and frame exhibited by Lecomte du Noüy at the 1912 Paris Salon or a very fine period copy. The stamp to the canvas reading Hardy-Alan/ G. Vasseur Succ./ 72 Bould. Raspail 72/ Paris/ Fab. de Toiles & Couleurs Fines/ Ateliers à Vanves suggests at least that the painting was executed between 1910 and 1923, during which period G. Vasseur managed Hardy-Alan, a leading supplier of canvas and art supplies at 72 Boulevard Raspail in Paris.
  
  Provenance:
  Sold DuMouchelles, Detroit, 16 November 2014, Lot 112016
  
  (Possibly) Exhibited:
  Paris Salon, 1912, no. 1097
  
  Literature:
  Salon de 1912 Catalogue Illustré, Société des Artistes Français, 1912, no. 1097
  Diederen, R.M.H., Catalogue Raisonné of Works by Jean Lecomte du Noüy, Dahesh Museum of Art, New York, 2004, p. 213, no. 320
  “Alexandre au tombeau d’Achille by Jules Lecomte du Nouy.” Granger Historical Picture Archive, no. 0821325. Agence Roger Viollet. https://granger.com/results.asp?image=0821325&itemw=4&itemf=0001&itemstep=1&itemx=6
  “British artists’ suppliers, 1650-1950.” National Portrait Gallery, London. https://www.npg.org.uk/research/programmes/directory-of-suppliers/h

  Condition

  Frame: 98 x 62 3/8 inches. The canvas stamped Hardy-Alan/ G. Vasseur Succ./ 72 Bould. Raspail 72/ Paris/ Fab. de Toiles & Couleurs Fines/ Ateliers a Vanves.
  For condition inquiries please contact fdcr@hindmanauctions.com
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