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THBRembrandt (1606 - 1669) Drypoint Etching
Lot 275
Categories
Live Auction in Progress ... Currently on Lot Estimate:
$8,000 - $12,000
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| $100 | $25 |
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| $7,500 | $500 |
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| $100,000 | $5,000 |
| $250,000 | $10,000 |
About Auction
Live
By Helmuth Stone Gallery
Apr 18, 2021
Set Reminder
2021-04-18 13:00:00
2021-04-18 13:00:00
America/New_York
Bidsquare
Bidsquare : Important Fine Art, Chinese Antiques & Jewelry
https://www.bidsquare.com/auctions/helmuth-stone-gallery/important-fine-art-chinese-antiques-jewelry-6771
Over 400 lots of fine art, Asian antiques, and jewelry from an important California private collection. Visit HelmuthStone.com for more information. Helmuth Stone Gallery helmuthstone@gmail.com
Over 400 lots of fine art, Asian antiques, and jewelry from an important California private collection. Visit HelmuthStone.com for more information. Helmuth Stone Gallery helmuthstone@gmail.com
View Full Catalog (493)
- Lot Description
Rembrandt (1606 - 1669) Drypoint Etching. This is an etching and drypoint by Rembrandt entitled Landscape with Trees, Farm Buildings and a Tower. The etching was done about 1650, and it's unsigned and undated. It is the fourth state of five, and it comes with a digital certificate of authenticity from Stakenborg-Greenberg Fine Art, an art gallery on Main Street in Sarasota, Florida. The etching is listed in Nowell-Ustickes Catalogue as Nr. 223, and described as RRR, extra rare. The piece is a very fine impression of the fourth (final) state, and one of the rarest of Rembrandt's larger landscape etchings, despite the fact that Rembrandt took this plate through four different states. Very few impressions of this print have come up for auction in recent years. The plate actually began as a precise record of an existing building, namely the building with the tower at the right. In the extremely rare first and second states, the tower is taller and topped with a cupola and a short spire, and those characteristics helped scholars identify the building as that of tax collector Jan Uytenbogaert. Presumably for artistic purposes, Rembrandt changed the appearance of the tower in the third state by burnishing out the upper parts of the tower and obliterating what it really looked like. In his landscapes, Rembrandt usually refrained from depicting the sky with etched lines. He preferred plate tone and polishing scratches or sulphur tinting, but here he covered the left side and part of the lower sky with etched lines to indicate dark clouds. The trees on the left are still overcast and dark, while the rest of the buildings are bathed in sunshine. This strong contrast creates the effect of the sun suddenly breaking through receding rain clouds, and the almost blank foreground evokes a sparse and lovely landscape.
Image Size: 4.75 x 12 in.
Overall Framed Size: 14.25 x 23.25 in.
Framed behind glass.Condition
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- Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing. - Shipping Info
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Helmuth Stone Gallery recommends obtaining shipping quotes prior to bidding on any items in our auctions. (For international shipments buyer is responsible for all duties, customs, and taxes, which are NOT included in the shipping price. In adherence with federal shipping regulations, Helmuth Stone Gallery will not alter any invoices for shipping). If you are interested in obtaining an additional list of local shippers, please email us and we will send one over. • PakMail o 941-751-2070 o Paktara266@gmail.com
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