James Jebusa Shannon (British, 1862?1923) Kitty and the Silver Ship

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European Art and Old Masters

By Freeman's

Feb 22, 2022

Set Reminder 2022-02-22 12:00:00 2022-02-22 12:00:00 America/New_York Bidsquare Bidsquare : European Art and Old Masters https://www.bidsquare.com/auctions/freemans/european-art-and-old-masters-8830
Auguste Rodin’s Mère et Fille Mourante, a moving mother-and-child sculpture, leads Freeman’s February 22 European Art and Old Masters auction; the work was commissioned by Mrs. Thomas Merrill in 1908 and has remained in the family for over a century. Curated by David Weiss, Head of Sale. Freeman's info@freemansauction.com

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• Lot Description
  James Jebusa Shannon (British, 1862?1923) Kitty and the Silver Ship

  Oil on canvas
  45 3/8 x 34 5/8 in. (115.2 x 87.9cm)
  Executed circa 1909.
  In an original 17th Century Italian carved giltwood frame.

  
  
  

  Provenance

  The Artist
  Lady Florence Shannon
  By descent to Kitty Shannon Keigwin, the Artist's daughter.
  By descent to Julia Gibbons, the Artist's granddaughter.
  Estate of Julia Gibbons to the present owner.

  
  
  Footnote:

  Exhibited

  "Seeking Beauty: Paintings by James Jebusa Shannon," Debra Force Fine Art Inc., New York; New York, 2014.

  Literature

  New York, Debra Force Fine Art, Seeking Beauty: Paintings by James Jebusa Shannon, 2014, pp. 38-9, no. 11, illustrated.

  Note

  The present portrait depicts the artist's eldest daughter, Kitty (1887-1974) holding a silver ship, which can also be spotted in other contemporary works by the artist such as The Silver Ship (circa 1907, formerly in the Forbes Collection of Victorian Pictures) and Flora and the Silver Ship (1922, unlocated), which features the artist's niece, Flora Cartwright. Unlike the other two works, Kitty and the Silver Ship was never exhibited and remained close to the artist (in fact , it stayed in the family for a long time after his death) as a personal memento of the artist's first daughter holding an important family heirloom. The object was so meaningful that Kitty would pose again next to it in a highly dramatic photograph of 1933, in which the silver nef casts its imposing shadow on the background wall. Just as in the photograph, Kitty appears slightly absent and detached in the portrait. As Debra Force notes: "she glances out of the pictorial space with a look of youthful solemnity, an expression that imbues the image with a sense of nostalgia, as if this were Shannon's farewell to the child as she entered womanhood." Shannon would go on to produce one last portrait of his daughter the following year, Black and Silver, now at the Royal Academy.

  
  
  
• Shipping Info

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• Buyer's Premium

  • Hammer Price	Premium (%)
    $0	29.00
    $600,000	23.00
    $3,000,000	15.00