2400 Market St
Philadelphia, PA 19147
United States
Established in 1805, Freeman’s Auction House holds tradition close, with a progressive mind-set towards marketing and promotion, along with access to a team of top experts in the auction business. And now with offices in New England, the Southeast, and on the West Coast, it has never been easier to ...Read more
Two ways to bid:
Price | Bid Increment |
---|---|
$0 | $25 |
$500 | $50 |
$1,000 | $100 |
$2,000 | $200 |
$3,000 | $250 |
$5,000 | $500 |
$10,000 | $1,000 |
$20,000 | $2,000 |
$30,000 | $2,500 |
$50,000 | $5,000 |
$100,000 | $10,000 |
Nov 17, 2021
Signed bottom right, oil on canvas.
Executed c. 1910.
Provenance
Galerie Apesteguy, Paris.
Private Collection, Atlanta, Georgia.
"Impressionist and Modern Art, Part II," Sotheby's, New York, May 14, 1997, Lot 179.
Property from a Private Philadelphia Collection.
Note
We wish to thank Le Comité Guillaumin (Dominique Fabiani, Stéphanie Chardeau-Botteri, Jacques de la Béraudière) for confirming the authenticity of the present lot. The painting will be included in the second Volume of the Catalogue Raisonné of the work of Armand Guillaumin, and accompanied by a Certificate of Authenticity dated October 20, 2021.
La Roche de l’Echo was painted in Crozant, located in the Creuse region, central France, and was a subject that Armand Guillaumin revisited in his oils on numerous occasions. As in the present work, most of the Crozant paintings feature La Roche in the center left of the composition, accentuated by a bright, rich color palette – a harbinger of Fauvism. Guillaumin was, in fact, the leader of the so-called École de Crozant, a group of artists who depicted landscapes in the Creuse region. Importantly, he was also a founding member of the Impressionist movement – along with being its longest surviving member – and is credited with organizing the inaugural 1874 Impressionist exhibition. From the 1870s through the 1880s, he went on to exhibit his work in six Impressionist exhibitions, as well as at the Salon des Refusés. Guillaumin was also a close friend of Paul Cézanne and Vincent van Gogh, with whom he had in common paintings featuring bold coloration combined with painterly brushwork, as in the present lot.
Guillaumin was not the only Impressionist painter to paint in the Creuse region. Monet in fact executed several canvases in Fresselines, where he developed the first of his “series” experimentations. While Monet's canvases are more austere and show a wild, often stormy aspect of the region, Guillaumin's rendition of the Creuse is always more picturesque, joyful and pastoral. He often painted the same locale, but always introducing a different element within his compositions, unlike his counterpart Monet. In the present painting, for example, the view is a bit broader than in other canvases, with a full-on depiction of La Roche (The Rock) at center left. What remained consistent through his landscapes in Crozant was a lack of any human life and presence, as if the landscape was enough, contrary to his cityscapes.
Both Monet and Guillaumin were equally fascinated by the region though, as it represented to them the purest form of Nature, an area where modernity, progress and industrialization had not yet invaded (similar to Gauguin's affinity for Brittany and Tahiti). It attracted Guillaumin so much that he decided to establish himself permanently in the region after first exploring it in 1893, and eventually found himself at the head of a colony of artists, once again similar to Gauguin in Pont-Aven. He loved the area because of the dramatic, isolated views and the contrasting colors the landscape offered, as exemplified here by the fauve-like colors (orange was Guillaumin's favorite color, which he would never mix with others). He employs a bold and modern color palette to show how an old, deserted and picturesque landscape can in fact be the main source of inspiration, the main revelation for “a new way of painting.”
To receive a complete Condition Report on this Lot, please contact the department at modernart@freemansauction.com
No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/ her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent by Freeman’s to a third-party storage facility, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of 2% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency in the original purchase price and will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’ possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to Freeman’s. Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code.