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May 4, 2018 - May 17, 2018
Artist: Josef Albers Westphalia, Germany 1888 -1976
Title: Olympische Spiele München 1972 -Class 2
Medium: color offset lithograph - Plate-Signed By The Artist
Provenience: F. Bruckmann KG, Munich/Kennedy Press Germany
ARTIST: "When you’re in school, you’re not an artist, you’re a student" - Josef Albers
Accomplished as a designer, photographer, typographer, printmaker, and poet, Albers is best remembered for his work as an abstract painter and theorist. He favored a very disciplined approach to composition. Most famous of all are the hundreds of paintings and prints that make up the series, Homage to the Square. In this rigorous series, begun in 1949, Albers explored chromatic interactions with nested squares. Usually painting on Masonite, he used a palette knife with oil colors and often recorded the colors he used on the back of his works. Each painting consists of either three or four squares of solid planes of color nested within one another, in one of four different arrangements and in square formats ranging from 406×406 mm to 1.22×1.22 m.
He was known to meticulously list the specific manufacturer's colours and varnishes he used on the back of his works, as if the colours were catalogued components of an optical experiment. His work represents a transition between traditional European art and the new American art. It incorporated European influences from the Constructivists and the Bauhaus movement, and its intensity and smallness of scale were typically European, but his influence fell heavily on American artists of the late 1950s and the 1960s. "Hard-edge" abstract painters drew on his use of patterns and intense colors, while Op artists and conceptual artists further explored his interest in perception.
In an article about the artist, published in 1950, Elaine de Kooning concluded that however impersonal his paintings might at first appear, not one of them “could have been painted by any one but Josef Albers himself.” Although their relationship was often tense, and sometimes, even combative, Robert Rauschenberg later identified Albers as his most important teacher.
Original Vintage Offset Lithograph Collection
1972 Olympische Speiel Munchen Series (Editions Olympia 1972 GmbH)
The choice of the artists who were to be invited had to be made along these lines: A precise study of the market was needed at the time. Established and avant-garde trends in art ought to be represented in the series: expressionism, surrealism, neorealism, pop-art/op-art. The artists had to be experienced in designing posters; their high artistic quality had to be world famous.
This series of vintage offset lithographs consists of 28 designs by artists: Otl Aicher - Serge Poliakoff - Hans Hartung - Marino Marini - Oskar Kokoschka - Charles Lapicque - Jan Lenica - Fritz Winter - Horst Antes - Shusaka Arakawa - Eduardo Chillida - Victor Vasarely - Piero Dorazio - Pierre Soulages - Otmar Alt - Josef Albers - Allen Jones - Allan D'Arcangelo - David Hockney - Valerio Adami - Tom Wesselmann - R.B. Kitaj - Richard Smith - Max Bill - Jacob Lawrence - Alan Davie - Peter Philipps - Paul Wunderlich - F. Hundertwasser
The art posters were original produced in three different valences:
Printed October 1967, Size 64 cm x 102 cm (25.2 in x 40.2in)
Class 1 - Original graphics: Hand-printed by the artist from the
original plate on high-quality paper, signed and limited to 200 copies per design
Class 2 - Original posters: Hand finished further impressions from
the same original plate on slightly lower quality paper but heavier than reproduction; the plate is signed, but not numbered. The original poster edition should not exceed 4,000 copies per design.
Class 3 - Original Reproductions of the original graphic: Produced by off-set or photogravure process on poster paper.
The offset lithograph is guaranteed to be in very good condition or better. The vintage collectable work of art and may show minor handling, aging or original printing defects none of which affect the image.
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