Johann Stridbeck the Younger (German, 1707-1772)
Die Schweitz Der Boden See /
Augusta Vindelicorum Augspurg /
Kuefstein oder Kopfstein engravings on laid paper (3)
marked
Ioann Stridbeck Iunior fecit et exudit l.r.,
Johan Stridbeck Jun. Calgogr fecit et excudit near l.l., and
Ioh. Stridbeck Iun. fec et Excudit l.r., respectively
Kuefstein with unidentified watermark
unframed
18th century
14 x 6.5 in. (largest plate); 16.25 x 9 in. (largest paper)
From The Old Master Print Collection of Johann Petz (Germany, 1818-1880), Descended in the Family of the Artist Petz was born at Lermoos, Tyrol, in 1818 and showed an early interest in wood carving and drawing. Petz worked as a shepherd for his family as a boy, but fled as a young man to a distant relative in Wildermiemingen to pursue the study of sculpture and drawing, which he did for three and a half years. In 1837, he decided to further his studies in Munich, and by chance he came into contact with the sculptor Konrad Eberhard (German, 1768-1859). Eberhard recognized Petz’s talent and took the young man on as a pupil, and several years later, secured for him a commission for the memorial statue for the famous German scholar Heinrich Klee (1800-1840). Petz’s design outlined a Gothic niche surmounted by a pinnacles and finials, which would house a sandstone sculpture of the Good Shepherd. This marked the beginning of the young artist’s career and established his reputation in Munich.
Petz was influenced by Nazarene and Neo-Gothic movements in Bavaria, otherwise known as the Pre-Raphaelite movement in England. Petz would also go on to receive commissions for churches, altars, and tombstones in England and the United States, and was highly sought after as a sculptor and church designer. Several locations for which he designed churches and their decorations are Cham, Arnschwang, Seeon, Vilsbiburg, Isen, and Riedering. Most notably, he contributed the design for a sculpture of the Last Supper for the Frauenkirche in Munich in 1859, which was regrettably lost in air raids during World War II. During his career Petz also worked with Joseph Otto Entres (Germany, 1804-1870) and Joseph Knabl (Germany, 1819-1881).
Provenance: The Old Master Print Collection of Johann Petz (Germany, 1818-1880)
Condition
Die Schweitz: Creasing at corners, light grime cover, wear to edges of paper, and marking in pencil from Petz u.r. outside plate.
Augusta: Wear to edges, some discoloration, especially to edges, several diagonal creases on left side, and small tears in paper near u.r. and l.r.
Kuefstein: Several vertical creases, two of which resulted in tears to top and bottom of paper near center that were repaired with tape, discoloration, and some staining, especially to edges.
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