Architectural Etchings of Classical and Religious Structures 

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Apr 16, 2016 - Apr 17, 2016

Set Reminder 2016-04-16 10:00:00 2016-04-17 10:00:00 America/New_York Bidsquare Bidsquare : Cleveland Fine and Decorative Art, Americana and Prints https://www.bidsquare.com/auctions/cowans/cleveland-fine-and-decorative-art-americana-and-prints-1377
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• Lot Description
  Architectural Etchings of Classical and Religious Structures 
  
  Continental, 17th-19th century. A collection of eight engravings of classical and religious structures, including Geometrischer Haupt - Grund der neuen Frauen Kirche in Dresden by Christoph Philippe Lindemann after Georg Baehr (German, 18th century), on laid paper; Ara Apollinis by Georg Christoph Kilian (German, 1709-1781), on laid paper; an interior of a classical structure by Georg Conrad Bodenehr (German, 1663-1710), on laid paper; Effigies in St. Peter's Monastery in Salzburg, marked P.S. f and Anno 1663 l.r., on laid paper; La Madonna Miracolosa...di S. Apollinare, unknown artist, dated 1647 in center, on laid paper; Tombeau de Dagobert by E.F. Imbard (French, early 19th century), on laid paper; Interno del Duomo di Milano by Stucchi (Italian, 19th century), on wove paper; and church facade, unmarked, on laid paper; 13.5 x 19.75 in. (Geometrischer, largest plate). 
  
  From The Old Master Print Collection of Johann Petz (Germany, 1818-1880), Descended in the Family of the Artist
  
  Petz was born at Lermoos, Tyrol, in 1818 and showed an early interest in wood carving and drawing. Petz worked as a shepherd for his family as a boy, but fled as a young man to a distant relative in Wildermiemingen  to pursue the study of sculpture and drawing, which he did for three and a half years. In 1837, he decided to further his studies in Munich, and by chance he came into contact with the sculptor Konrad Eberhard (German, 1768-1859). Eberhard recognized Petz’s talent and took the young man on as a pupil, and several years later, secured for him a commission for the memorial statue for the famous German scholar Heinrich Klee (1800-1840). Petz’s design outlined a Gothic niche surmounted by a pinnacles and finials, which would house a sandstone sculpture of the Good Shepherd. This marked the beginning of the young artist’s career and established his reputation in Munich.
  
  Petz was influenced by Nazarene and Neo-Gothic movements in Bavaria, otherwise known as the Pre-Raphaelite movement in England. Petz would also go on to receive commissions for churches, altars, and tombstones in England and the United States, and was highly sought after as a sculptor and church designer. Several locations for which he designed churches and their decorations are Cham, Arnschwang, Seeon, Vilsbiburg, Isen, and Riedering. Most notably, he contributed the design for a sculpture of the Last Supper for the Frauenkirche in Munich in 1859, which was regrettably lost in air raids during World War II.  During his career Petz also worked with Joseph Otto Entres (Germany, 1804-1870) and Joseph Knabl (Germany, 1819-1881). 
  
  Provenance: The Old Master Print Collection of Johann Petz (Germany, 1818-1880)

  Condition

  Geometrischer: Large hole near l.l. along with stains, tear along u.l., and stain near u.r.
  Ara Apollinis: Tears along left edge, toning, creasing/wrinkling of paper. 
  Bodenehr: Edges of paper trimmed, toning, ink spots u.r., stain l.l. 
  
  Effigies: Edges of paper trimmed, water stain on right side, toning. 
  
  La Madonna: Edges of paper trimmed, toning, light grime, spot of foxing on left side. 
  
  Tombeau: Some fading, adhered to backing by upper corners. 
  
  Interno del Duomo: Creasing to l.r., stain u.r. 
  
  Church facade: Small tears and wear to edges of paper, creasing to u.l. and l.r., toning, small piece missing l.l. of paper. 
  
  For condition inquiries please contact cleveland@cowans.com. 
  
  Please note that a condition report is only an opinion, given as a courtesy, and should not be treated as a statement of fact. Cowan's Auctions shall have no responsibility for any error or omission. 
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