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THBLois Mailou Jones (1905 - 1998) American
Lot 11
About Seller
Coral Gables Auction LLC
2377 Coral Way
Coral Gables, FL 33145
United States
We are an auction house with a lot of knowledge of our work environment. We recited at Miami FL. We have professionals with more than 30 years of experience. We work hard to provide our subscribers with the best descriptions of the auctioned pieces and their provenance, in addition to providing good...Read more
Live Auction in Progress ... Currently on Lot Estimate:
$2,000 - $3,000
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Bid Increments
| Price | Bid Increment |
|---|---|
| $0 | $25 |
| $500 | $50 |
| $1,000 | $100 |
| $3,000 | $250 |
| $10,000 | $500 |
| $20,000 | $1,000 |
| $50,000 | $2,500 |
| $100,000 | $5,000 |
| $200,000 | $10,000 |
| $500,000 | $25,000 |
About Auction
Live
By Coral Gables Auction LLC
Apr 3, 2022
Set Reminder
2022-04-03 13:00:00
2022-04-03 13:00:00
America/New_York
Bidsquare
Bidsquare : Fine & Decorative Arts Online Auction #025
https://www.bidsquare.com/auctions/coral-gables-auction-llc/fine-decorative-arts-online-auction-025-9100
This auction has 300 pieces. There is a great variety of paintings and decorative pieces Coral Gables Auction LLC coralgablesauction@yahoo.com
This auction has 300 pieces. There is a great variety of paintings and decorative pieces Coral Gables Auction LLC coralgablesauction@yahoo.com
View Full Catalog (300)
- Lot Description
Lois Mailou Jones (1905 - 1998) American
Watercolor on Paper
Measure 10"in H x 7 3/4"in W and 14 3/4"in H x 12 1/2"in W with frame
Known for: African figure-genre, landscape, still life and mask painting, teaching
Biography: Jones was born in Boston in 1905, the second of two children of Thomas Vreeland and Caroline Dorinda Jones. Jones's Carolina, as well as the climate and aftermath of the Harlem Renaissance, motivated the depiction of African and African- American themes in Jones's early paintings. She became associated with the Harmon Foundation shortly after moving to Washington, and was a frequent participant in its exhibitions during the 1930s. Since her first trip to France, Jones has felt a spiritual affinity for the French people and their nation. She explains that France provided her with the first feeling of absolute freedom to live and eat wherever she chose. Her admiration for France and its people was so profound that she returned to Paris each year, except during World War II, for more than twenty years after her first trip. Jones's third period was also formed outside the United States in Haiti where she discovered a second spiritual home. She first went to the capital, Port-au-Prince, in 1954 when the Haitian government invited her to visit and paint the country's landscape and its people. The trip lasted ten weeks and in that time Jones developed a love for Haiti's warm climate, its beautiful scenery, and its colorful, deeply religious people. She also conducted painting classes at the Centre d'Art and the Foyer des Artes Plastiques. In recognition, the government of Haiti made her a chevalier of the National Order of Honor and Merit. Jones's numerous oils and watercolors inspired by Haiti are probably her most widely known works. In them her affinity for bright colors, her under personal standing of Cubism's basic principles, and her search for a distinctly style reached an apogee. Jones's return to African themes in her work of the past several decades coincided with the black expressionistic movement in the United States during the 1960s. Skillfully integrating aspects of African masks, figures, and textiles into her vibrant paintings, Jones continues to produce exciting new works at an astonishing rate of speed, even in her late eighties. In 1945 James Lane, curator of painting at the National Gallery of Art in Washington, said of Jones's work, "God's gift to Lois Jones is a beautiful sense of color. Like a singer who always sings true, this well-trained painter-and she has studied under Philip Hale, Jonas Lie, and the Academie Julian-shows true harmony in her oils. But that is not God's only gift: He has given her a sense of structure and design (which she uses in her textile patterns) that carries the color to victory, for unorganized color alone could not possibly do the trick. Her work, from her earliest still lifes and her prize-winning portrait French Mother, has, one sees, been responsive to light and the joyousness of light, but where the fine cityscapes of her Paris period were charming and gray, the landscapes, the portraits, and the still lifes from Martha's Vineyard are clarion and colorful. It is all, in the best sense of the word, happy art."Coral Gables Auction strongly encourages in-person inspection of items by the bidder.Condition
Statements by Coral Gables Auction regarding the condition of objects are for guidance only And should Not be relied upon as statements of fact, and do Not constitute a representation, warranty, Or assumption of liability by Coral Gables Auction.
All lots offered are sold "As Is".
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