Ogden M. Pleissner (1905-1983) Coming to the Net - Restigouche

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The Sporting Sale 2018, Day 2

By Copley Fine Art Auctions

Jul 20, 2018

Set Reminder 2018-07-20 10:00:00 2018-07-20 10:00:00 America/New_York Bidsquare Bidsquare : The Sporting Sale 2018, Day 2 https://www.bidsquare.com/auctions/copley/the-sporting-sale-2018-day-2-3302
On July 19, Copley Fine Art Auctions will lead off their annual Sporting Sale with 140 lots from the Donal C. O’Brien, Jr. Collection of Important American Sporting Art and Decoys. On July 20 Copley will present an additional 425 lots of decoys, fish carvings, and sporting art. Copley Fine Art Auctions cinnie@copleyart.com

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• Lot Description
  Ogden M. Pleissner (1905-1983)
  Coming to the Net - Restigouche, 1937
  signed "Pleissner" lower right
  watercolor on paper, 16 by 26 1/2 in.
  titled on The Sporting Galleries and Bookshop, New York label on back
  
  Ogden Minton Pleissner was born in Brooklyn, New York, and studied figure painting and portraiture with Frank DuMond and Frederick J. Boston at the Art Students League of New York. Despite growing up in the city, Pleissner was attracted to the outdoors and as a teen he visited dude ranches in Wyoming, where he sketched from life. In later years, Pleissner and his first wife, Mary, were regular guests at the CM Ranch in Dubois, Wyoming.
  
  Pleissner wanted to be classified primarily as a landscape painter, who also loved to hunt and fish. During World War II, Pleissner painted for the United States Air Force and "Life" magazine. During his years in the service, he primarily completed watercolors as the portability and immediacy of that medium accommodated working in the field.
  
  Pleissner’s work is included in more than thirty public collections, including the Metropolitan Museum of Art, the Whitney Museum of American Art, the Philadelphia Museum of Art, the Brooklyn Museum, the Minneapolis Institute of Arts, and hangs in the offices of the Pentagon, West Point, and the Air Force Academy.
  
  Pleissner’s subjects range from the landscapes of Europe to salmon fishing in Quebec and his style is informed by the classical traditions. He is quoted as saying, “A fine painting is not just the subject...It is the feeling conveyed of form, bulk, space, dimensionality, and sensitivity. The mood of the picture, that is most important.” This is one of Pleissner's earliest Atlantic salmon fishing pictures.
  
  Provenance: Private Collection, Vermont

  Condition

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