Edmund H. Osthaus (1858-1928) Setter

Lot 72

About Seller

65 Sharp Street
Hingham, MA 02043
United States

Copley Fine Art Auctions is the world's leading American sporting art auction company. Located in Hingham, MA, Copley specializes in antique decoys and 19th- and 20th-century American, sporting, and wildlife paintings. Principal Stephen O'Brien Jr., a fourth-generation sportsman with a refined colle...Read more

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About Auction

The Sporting Sale 2016 by Copley Fine Art Auctions

Live

The Sporting Sale 2016

By Copley Fine Art Auctions

Jul 24, 2016 - Jul 25, 2016

Set Reminder 2016-07-24 10:00:00 2016-07-25 10:00:00 America/New_York Bidsquare Bidsquare : The Sporting Sale 2016 https://www.bidsquare.com/auctions/copley/the-sporting-sale-2016-1579 Copley Fine Art Auctions cinnie@copleyart.com

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Lot Description

Edmund H. Osthaus (1858-1928)
Setter
signed "Edm H. Osthaus" lower right
oil on canvas, 17 by 21 in.

Edmund Henry Osthaus was born in Hildesheim, Germany, in 1858. He was the son of a prosperous farmer who subsequently immigrated to Toledo, Ohio. Osthaus studied at the Royal Academy of the Arts in Dusseldorf from 1874 to 1882 with Andreas Muller, Peter Jansen, E. von Gebhardt, Ernst Deger, and wildlife and landscape painter Christian Kroner. In 1883, after studying painting for six years, Edmund Osthaus became an instructor at the Toledo Academy of Fine Arts. He served as the director from 1886-1893, refining his painting technique and pursuing his passions: hunting and fishing.

In 1893 Osthaus dedicated his full attention to painting, shooting, and field trials. He was a charter member of the National Field Trial Association established in Newton, North Carolina, in 1895. "Edmund Osthaus followed field trials from the fall prairie chicken trials in Canada to the important quail trials in the South in mid-winter, judging, sketching, and sometimes entering his dogs. He was a handsome, powerfully built man. "His artistic talent combined with his love of dogs enabled him to capture the essence of the focused working dog while depicting them in precise anatomical detail. Any painter who paints for shooting men had better be a shooting man himself, for no one is more jealously critical of detail than the man who knows guns and dogs and game... Edmund Osthaus, who trained and shot over his own setters and pointers, transformed oil paint into dog flesh quivering under the stress of a point."

Literature: Kay and George Evans, "Dogs that Live Forever," Field & Stream, Vol. LXXV, No. 2, June 1970, pp. 234-240.

Condition

Surface dirt, with stretcher bar mark on upper and lower edge, small area of loss 1/8 by 1/4 in. lower right in grass
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