Canada Goose Decoy, Charles A. Safford (1877-1957)

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The Winter Sale 2020

By Copley Fine Art Auctions

Feb 15, 2020

Set Reminder 2020-02-15 10:00:00 2020-02-15 10:00:00 America/New_York Bidsquare Bidsquare : The Winter Sale 2020 https://www.bidsquare.com/auctions/copley/the-winter-sale-2020-4811
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• Lot Description
  Canada Goose
  Charles A. Safford (1877-1957)
  Newburyport, MA, c. 1920
  29 in. long
  
  Discussing the lore and legacy of Safford, author and historian Gigi Hopkins writes: “Although Charles Safford was a member of an old respected family descended from Newburyport’s first English settler, it quickly became evident that as an adult, he had very little use for any restrictions imposed by the proper social life. He was schooled locally, proved to be bright and talented, did skilled work with his hands and was drawn to the outdoor life; he was a natural at hunting and shooting. He was small, but wiry and strong, and famous for sculling his sneak float (gunning boat) up-current against the mighty Merrimack River… As a young man, Charlie apprenticed at his great-grandfather’s cabinetmaking shop, Safford and Sons, where he became known for his meticulous craftsmanship... Safford had built himself a gunning camp and goose stand at Hale’s Cove on Plum Island, the eight-mile-long barrier beach just south of his hometown. He was now a crack shot, a successful market gunner and a highly sought-after hunting guide. At this point his needs were minimal, and being the gifted craftsman that he was, he could get a job at any firm, including his great-grandfather’s shop or next door at the prestigious Molten Silversmiths. He could create anything in wood from an elegant casket to an elegant seaworthy boat. He worked readily both as a designer and artist in gold and silver (or any other metal). In fact, he quickly mastered any medium to which he turned his attention. He was an inventor as well, employed as a tool maker and machinist when in his forties...
  
  In the early 1920s, Safford made himself a fine rig of big goose decoys, and designed them to sit three-apiece on flat iron triangles. These spent the hunting season out on the marsh. They were intelligently constructed: the birds’ upright necks were carved from separate blocks that put the grain north-to-south, making them well-nigh unbreakable.
  
  In 1934, Plum Island, Safford’s home hunting grounds, became a protected bird sanctuary. Happily, Charlie was invited to stay on as the property’s game warden, and he readily accepted the post.
  
  This change meant that, virtually overnight, Charlie went from gunner to defender of waterfowl. He patrolled his wildlands every day on horseback, or occasionally by car if the weather was foul, and compiled detailed bird lists which Mass Audubon published in its monthly newsletters.
  
  Eight years on, in 1942, the sanctuary was incorporated into the Parker River National Wildlife Refuge, and Safford, just turned sixty-five, retired and moved down to Lynn, a small coastal city, where he spent the rest of his life with his housekeeper. He kept in touch with his former profession by carving miniature ducks and geese...”
  
  - Special thanks to The Museum of American Bird Art, Mass Audubon, and Massachusetts Masterpieces curator and author Gwladys (Gigi) Hopkins for providing this biographical content.
  
  As a multi-talented craftsman, Safford brought his considerable skills to bear when carving his grand decoys. These carvings from his personal rig were mammoth in both size and weight. The grand body of this decoy measures well over three feet in circumference, and showcases clean lines in both the form and paint that resolve at a stout, yet subtly refined, tail. Rather than using laminated boards, as seen in a number of his geese, this body was made from a huge single log. The consummate craftsman, Safford carefully filled the log’s check with a precise shim while carving the bird. The heads and necks of his geese, as seen here, are two joined pieces mounted on a raised neck seat. The heads were then finished with two-tone glass eyes and intricate bill carving. The telling scale of Safford geese dictated that they saw prolonged exposure to the elements during the long hunting season. Hence the vast majority of Safford decoys are found in heavily worn condition, often with numerous seam separations and cracks. Examples in strong original paint are rarely found, making this decoy one of the best preserved of Safford’s geese to have surfaced. Safford's geese are often marked with Roman numeral rig markings; this example bears “VI - I” on the underside.
  Excellent original paint with even gunning wear, check along right side, and minor chipping to tail edge.
  
  Provenance: Charles A. Safford Rig
  Private Collection, Pennsylvania
  
  Literature: Gwladys Hopkins, "Massachusetts Masterpieces," Lincoln, MA, 2016, pp. 78-79.
  Jay S. Williamson, "Decoys of the Newburys, Plum Island and Surrounding Communities: Catalog of an Exhibition at the Cushing House Museum," Newburyport, Massachusetts, 1999, pp. 41-42, rigmate "IV" illustrated.
  Robert Shaw, "Bird Decoys of North America," New York, NY, 2010, p. 156-158, sleeping goose illustrated.

  Condition

  Please email condition report requests to colin@copleyart.com. Any condition statement given is a courtesy to customers, Copley will not be held responsible for any errors or omissions. The absence of a condition statement does not imply that the lot is in perfect condition.
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