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THB§ Dame Elisabeth Frink, CH, DBE, RA (British, 1930-1993) Aesop's Fables, 1968 - The Horse Hunter and
Lot 304
About Seller
Cheffins
Sutton Ely
Cambridgeshire
United Kingdom
The business of Cheffins has been built upon the strong values of excellence, integrity and professionalism. These values have been at the heart of how we do business since our inception in 1825 and have stood us in good stead as we adapted to a changing world. Cheffins today is one of the leading p...Read more
Timed Auction in Progress ... Currently on Lot Estimate:
$800 - $1,200
Bid Increments
| Price | Bid Increment |
|---|---|
| $0 | $10 |
| $100 | $25 |
| $500 | $50 |
| $1,000 | $100 |
| $3,000 | $250 |
| $5,000 | $500 |
| $10,000 | $1,000 |
| $30,000 | $2,500 |
| $50,000 | $5,000 |
| $100,000 | $10,000 |
About Auction
Timed
By Cheffins
Jan 28, 2016 - Jan 28, 2016
Set Reminder
2016-01-28 06:00:00
2016-01-28 10:00:00
America/New_York
Bidsquare
Bidsquare : Art & Design from 1860
https://www.bidsquare.com/auctions/cheffins/art-design-from-1860-1230
Cheffins antiquesandinteriors@cheffins.co.uk
Cheffins antiquesandinteriors@cheffins.co.uk
View Full Catalog (359)
- Lot Description
BID ON THE-SALEROOM
§ Dame Elisabeth Frink, CH, DBE, RA (British, 1930-1993) Aesop's Fables, 1968 - The Horse Hunter and the Stag; The Bald Man and his Mistress; The Lion in Love; and The Eagle and the Arrow signed in pencil lower right "Frink" lithograph (4) 27 x 38cm (11 x 15in)
Literature: Elisabeth Frink: Original Prints Catalogue Raisonne Hardcover - published April 1998 by Caroline Wiseman (Nos.22-25) Other Notes: Born in Thurlow, Suffolk, Frink studied at the Guildford School of Art (now the University for the Creative Arts) (1946–1949), under Willi Soukop, at the Chelsea School of Art (1949–1953). Part of a post war group of British sculptors, dubbed the Geometry of Fear school - that included Reg Butler, Bernard Meadows, Kenneth Armitage and Eduardo Paolozzi. Frink’s subject matter included men, birds, dogs, horses and religious motifs, but very seldom any female forms. Bird (1952; London, Tate), one of a number of bird sculptures, and her first successful pieces (also Three Heads and the Figurative Tradition) with its alert, menacing stance, characterizes her early work
Under glass and browned around the edges. - Shipping Info
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