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THBPr. Maria Howard Weeden Portraits, Man & Woman plus Book
About Seller
4310 Papermill Dr. NW
Knoxville, TN 37909
United States
Case Auctions is based in Knoxville, Tennessee, where our gallery is located, with satellite offices in Nashville, Tennessee and Kingsport, TN – but our reach is worldwide. Established in 2005, we conduct cataloged auctions of investment-quality art and antiques under the stewardship of knowledgeabl...Read more
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About Auction
LiveJan 25, 2025
Live Auction at our Knoxville Gallery featuring 1,200+ lots from fine Southern estates and private and museum collections. Sale begins Sat. Jan. 25 at 9 AM with lots #1-783 and continues Sun. Jan. 26 at 1 PM with lots #784-1261 (separate catalog). Estates represented include Gertrude S. Caldwell, Nashville; John Z. C. Thomas, Knoxville; Dr. Larry Wolfe, Nashville; Norman Luboff; plus the collection of Jon E. Jones, Cookeville, and deaccessioned art from the Hunter Museum, Vanderbilt University Museum, the Memphis-Brooks Museum, and more. Case Auctions bid@caseantiques.com
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- Lot Description
Maria Howard Weeden (Alabama, 1846-1905) pair of watercolor on card portraits depicting a white woman and man in uniform, together with the book MEH LADY by Thomas Nelson Page (Chas. Scribner, NY, 1893). The portrait of the woman is captioned below, in watercolor: "You'd think de way Meh Lady read to him she done forgot he prisoner and Virginia's enemy", while the portrait of the man is captioned, "Hannah say de chile ain gwin mortify herself 'bout no Yankee soldier, don't keer how pretty he is". Each portrait is unsigned and measures 9"H x 6 3/4"W. Book: 8 1/2"H x 6 1/2"W.
Note: These portraits, like the other Weeden paintings offered in this auction, are believed to be Weeden's own depictions of two main characters from Page's book, itself illustrated in black and white by C.S. Reinhart. The book, a romance written in African American dialect from the point of view of a slave called "Uncle Billy," tells the story of a young Union soldier who is captured by Confederate forces and taken to "Meh Lady's" plantation as a prisoner of war; the two fall in love despite their differences.
Maria Howard Weeden was born in 1847 in Huntsville, Alabama, the youngest of six siblings. She showed artistic talent at an early age and was encouraged by her mother, who took her to study with William Frye, a well-known Southern portrait painter living in Huntsville at the time. She also studied art at the Huntsville Female Seminary. However, Weeden's family was financially ruined in the wake of the Civil War and she was unable to pursue more formal training or visit places like Europe to find subject matter. As Martha Severens writes in "150 Years of Watercolor," "Her sitters were generally members of her community who were former slaves serving as cooks, nannies, and gardeners. At a time when many artists were caricaturing African Americans, Weeden preferred to render more dignified and uplifting portraits. After visiting the World's Columbian Exposition in Chicago, where she encountered many caustic images of the Uncle Remus variety, she resolved to pursue a different direction. She later recalled: ''Then and there I awoke to the realization that right around me was a subject of supremest artistic interest the old ex-slave, who henceforth became theme for my muse and model for my brush.'"
Most of her subjects never commissioned these portraits, so she never found great commercial success. She published and illustrated several books of her own, including "Bandanna Ballads" (1899), which was used in the production of the classic American movie "Gone With the Wind" as reference for the costumes of the slaves. She painted frequently in the Nashville area as a result of her friendship with Elizabeth Fraser Price, daughter of Dr. George Price, who founded the Nashville College for Young Ladies. Price exhibited and sold Weeden''s work in her Nashville music studio, and Weeden also sold paintings at the Tennessee Centennial Exposition and at a reception held in her honor by the Nashville Art Club. One of her best known commissions was in Robertson County: in the 1890s the Washington family of Wessyngton Plantation hired Weeden to paint portraits of several former slaves. She also painted landscapes and flowers. Her childhood home in Huntsville is now the Weeden House Museum and contains many of her works.
Condition
Each painting exhibits discoloration from sun exposure and acidic framing materials. The man's portrait has a 1/8" black paint spot on subject's cheek and each has a spot or two of foxing. The works were professionally separated from their glued-on matting but retain signs of previous adhesive around edges on both sides. These works have not been deacidified.
Book: fragile and worn condition with some pages separated or folded.
- Provenance
The estate of Kaye Bransford Ruty, Nashville.
- Shipping Info
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If paying with wire transfer, please use the following information:
Bank: Pinnacle Bank
150 Third Avenue South, Suite 900
Nashville, TN 37201
Phone # (865) 766-3000
Swift Code: PNFPUS44
Routing, Transit, ABA: 064008637
Beneficiary: Case Antiques, Inc.
4310 Papermill Drive
Knoxville, TN 37909
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