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THBMaria Howard Weeden W/C Portrait of a Man
About Seller
4310 Papermill Dr. NW
Knoxville, TN 37909
United States
Case Auctions is based in Knoxville, Tennessee, where our gallery is located, with satellite offices in Nashville, Tennessee and Kingsport, TN – but our reach is worldwide. Established in 2005, we conduct cataloged auctions of investment-quality art and antiques under the stewardship of knowledgeabl...Read more
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About Auction
LiveJul 6, 2024
Our July 6-7 Live Auction in Knoxville features more than 1,000 lots of Fine Art, Antiques and Jewelry from the founding family of Rogersville, TN, and from the historic Pinckney family of Charleston, SC; from the estate of William J. Eskind of Nashville; the living estate of Jerry Waters, Maryville, the estate of U.S. Ambassador Ron Schlicher of Brentwood, and from other fine estates and private and museum collections. Sale starts 9 AM Eastern Time on Saturday, July 6 (lots #1-671) and continues at 1 PM Sunday, July 7 (lots #672-1086) at our Knoxville Gallery, 4310 Papermill Drive. Case Auctions bid@caseantiques.com
View Full Catalog (670)
- Lot Description
Maria Howard Weeden (Alabama, 1846-1905) watercolor on card portrait depicting the head and shoulders of an African American man with white hair and white beard, in a white collared shirt with blue coat. His head and gaze are slightly oriented to his left. Circa 1900. Signed "Howard Weeden," lower left. Framed under glass in a molded woodgrain frame. Sight - 8" H x 6" W. Sheet - 9" H x 7" W. Frame - 14 1/2" H x 12 1/2" W. Note: this painting descended in the family of Elizabeth Overton Lea (daughter of Judge John Overton) and was found inside her diary, although since she died in 1890, the painting was likely owned by one of her children, not her. Weeden is known to have painted at least one freed slave at the Overton's home, Traveller's Rest. His name was Claiborne Hines.
Biography: Maria Howard Weeden was born in 1847 in Huntsville, Alabama, the youngest of six siblings. She showed artistic talent at an early age and was encouraged by her mother, who took her to study with William Frye, a well-known Southern portrait painter living in Huntsville at the time. She also studied art at the Huntsville Female Seminary. However, Weeden’s family was financially ruined in the wake of the Civil War and she was unable to pursue more formal training or visit places like Europe to find subject matter. As Martha Severens writes in “150 Years of Watercolor,” “Her sitters were generally members of her community who were former slaves serving as cooks, nannies, and gardeners. At a time when many artists were caricaturing African Americans, Weeden preferred to render more dignified and uplifting portraits. After visiting the World's Columbian Exposition in Chicago, where she encountered many caustic images of the Uncle Remus variety, she resolved to pursue a different direction. She later recalled: ‘Then and there I awoke to the realization that right around me was a subject of supremest artistic interest -- the old ex-slave, who henceforth became theme for my muse and model for my brush.’”
Weeden did not use her first name on her works, preferring to sign them “Howard Weeden.” Her childhood home in Huntsville is now the Weeden House Museum and contains many of her works. Most of her subjects never commissioned these portraits, so she never found great commercial success. She published four books, including "Bandanna Ballads" (1899), which was used in the production of the classic American movie "Gone With the Wind" as reference for the costumes of the slaves. She painted frequently in the Nashville area as a result of her friendship with Elizabeth Fraser Price, daughter of Dr. George Price, who founded the Nashville College for Young Ladies. Price exhibited and sold Weeden’s work in her Nashville music studio, and Weeden also sold paintings at the Tennessee Centennial Exposition and at a reception held in her honor by the Nashville Art Club. One of her best known commissions was in Robertson County: in the 1890s the Washington family of Wessyngton Plantation hired Weeden to paint portraits of several former slaves.
Condition
Overall good condition. Faint acid burn 1" from edge on all sides from previous framing; tiny inclusion speck near subject's right ear; tiny black stain upper left; faint acid line or errant mark top center; a few other faint lines and scuffs to background. Inscriptions en verso relating to previous framing.
- Shipping Info
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The UPS Store of Bearden 865-584-0081 (press 5), fax 865-584-0094 store2630@theupsstore.com
The UPS Store of Northshore Knoxville Contact – Eve 865-951-2499 store6461@theupsstore.com
John & Max Express LLC NOTE: large items & white glove delivery services only (driving range limitations may apply) Contact – Dina 865-230-1568 johnmaxexpress@gmail.com
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- Payment & Auction Policies
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Available payment options
Payment must be received no later than five (5) days after the sale.
If paying with a credit card, a 3% credit card processing fee will be applied to the final sales price (i.e. hammer price + buyer's premium + applicable taxes). If you have a credit card on file with Case, any winning bids will be automatically charged (up to $3000) along with applicable fees 72 hours after you receive your invoice unless other arrangements have been made.
If paying with wire transfer, please use the following information:
Bank: Pinnacle Bank
150 Third Avenue South, Suite 900
Nashville, TN 37201
Phone # (865) 766-3000
Swift Code: PNFPUS44
Routing, Transit, ABA: 064008637
Beneficiary: Case Antiques, Inc.
4310 Papermill Drive
Knoxville, TN 37909
Account #: NOT DISCLOSED (please refer to your invoice email for the Deposit Account Number or contact us )
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