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THBWilliam G. Congdon (1912-1998) Watercolor "Luxor"
Lot 10a
About Seller
Carlyle Galleries International, Inc.
9701 Wilshire Boulevard, 10th Floor
Beverly Hills, CA 90212
United States
Categories
Live Auction in Progress ... Currently on Lot Estimate:
$2,500 - $3,500
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|---|---|
| $0 | $10 |
| $50 | $10 |
| $100 | $50 |
| $500 | $100 |
| $2,000 | $250 |
| $5,000 | $500 |
| $10,000 | $1,000 |
| $25,000 | $2,500 |
| $100,000 | $5,000 |
| $500,000 | $10,000 |
About Auction
Live
By Carlyle Galleries International, Inc.
Sep 13, 2018
Set Reminder
2018-09-13 13:00:00
2018-09-13 13:00:00
America/New_York
Bidsquare
Bidsquare : European Paintings & Sculpture. Old Masters to Modern.
https://www.bidsquare.com/auctions/carlyle/european-paintings-sculpture-old-masters-to-modern-3438
European Paintings & Sculpture Carlyle Galleries International, Inc. info@carlyle-auctions.com
European Paintings & Sculpture Carlyle Galleries International, Inc. info@carlyle-auctions.com
View Full Catalog (109)
- Lot Description
Artist: William G. Congdon (American 1912-1998) Title: Luxor Medium: watercolor on paper Size: 15 å_ x 20‰Û inches (41 x 51 cm) Date: 1949 Notes: This painting is published in ‰ÛÏWilliam Congdon: Atlante dell'opera. In viaggio 1935-1959‰Û on Page 75. Provenance: Gift of the artist to Laetitia Cerio, Capri 1950‰Ûªs, by descent to her son, Fernando Alvarez de Toledo, Duke of Bivona and Count of Caltabellotta, then by descent to the current consignors. William G. Congdon William Grosvenor Congdon (1912-1998) was associated with the ‰ÛÏNew York School‰Û Abstract Expressionists of the late 1940‰Ûªs and early 1950‰Ûªs, starting with his first one-man show at the Betty Parsons gallery in 1949. The show was positively reviewed by art critic, Clement Greenberg who was impressed by Congdons use of color to evoke ‰ÛÏreal painterly emotion‰Û. Congdon showed alongside Clifford Still in 1950, and his association with Betty Parsons gallery lasted over 20 years. At the peak of his success in the early 1950‰Ûªs, Congdon, becoming more interested in spirituality, turned his back on ‰ÛÏThe American Dream‰Û, moving to Venice, Italy. Venice became a source of endless inspiration for Congdon‰Ûªs paintings which were extensively collected by Peggy Guggenheim. ‰ÛÏWilliam Congdon is the only painter since Turner, who has understood Venice, its mystery, its poetry and its passion. He has a modern way of expressing himself, but his insight is as old as the city itself. He has been able to gather up the emotional essence of many centuries and has melted this vision into such a fantastic and beautiful dream that his paintings leave one breathless.‰Û - Peggy Guggenheim 1953 Just as fascinating as the paintings being offered is their trans-Atlantic provenance. The painting in this collection were originally gifted by Congdon to fellow artist Letizia Cerio (1908-1997), of Capri, during the 1950‰Ûªs. Letizia Cerio, an artist talented in her own right (Graham Greene remarked, ‰ÛÏThere is only one painter of Capri: Letizia Cerio, in whose paintings there is magic in the air‰Û) often painted alongside Congdon during his travel in Italy. The paintings of Venice were likely given in the traditional artist exchange during these trips. The Cerio family, one of the oldest and most renowned on Capri, were famous for hosting all the leading figures of the 20th century who came to the island: from Maxim Gorky and Lenin, to Jackie Kennedy Onassis, and Alexander Calder. The Cerio family‰Ûªs branch extended to Newport, Rhode Island and Boston and as a result Letizia formative years were spent in Newport and Boston society. Letizia married Ramiro Alvarez de Toledo, Count of Caltabellotta, and Duke of Bivona, moving to Argentina as the Second World War began, before finally settling in Concord, Massachusets, with their son, Fernando. Fernando Alvarez de Toledo, who inherited his father‰Ûªs titles, Duke of Bivona and Count of Caltabellotta, became a protege of Joseph Albers at Yale University, and a leading industrial designer and pioneer of medical device technology with 39 patents, and a career that spanned the globe. The Congdon painting collection, was inherited by Fernando, and after his passing last year, passed by descent to the current consignors.
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