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THB-Clutch- Etching with Aquatint by Kenojuak Ashevak
About Seller
1205 S Hill Street
Los Angeles, CA 90015
United States
Cain Modern is the source for the elegant and the classic. Our store is a result of a desire to give people with an eye for design the opportunity to purchase mid-century designer pieces that are usually reserved only for the design industry. We source the world for that unique piece which can’t hel...Read more
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Bid Increments
| Price | Bid Increment |
|---|---|
| $25 | $25 |
| $300 | $50 |
| $1,000 | $100 |
| $2,000 | $200 |
| $5,000 | $250 |
| $10,000 | $500 |
| $32,000 | $1,000 |
| $50,000 | $3,000 |
About Auction
LiveFeb 28, 2022
Cain Modern Auctions is having a blow out sale, about 95% of the items on this sale are starting at $1 and there is no reserve in any of the items. Cain Modern Auctions cain@cainmodern.com
View Full Catalog (266)
- Lot Description
Kenojuak Ashevak (Inuit/Canadian, 1927 – 2013)
Clutch, 2012
Etching with aquatint on paper
Signed to the lower right
Numbered 14/50
Blind stamp to the lower left
Item not examined outside of mounting
Measurements:
29.5 inches wide x 29.5 inches high x 1.0 inch deep/projection from wall.
- measures the frame; plate measures 12.25 inches wide x 11.75 inches high
KENOJUAK ASHEVAK
Kenojuak Ashevak was one of Canada’s most acclaimed graphic artists. Her long list of achievements and honors is surpassed only by her stamina and good humor.
Born on south Baffin Island at a camp area known as Ikirisaq, Kenojuak grew up traveling from camp to camp on south Baffin and in Arctic Quebec (Nunavik). As a young woman, she was married to Johnniebo and lived with him in various camps including Keakto, a scenic area seven miles from Cape Dorset. While still living at Keakto in the late 1950's, both Kenojuak and Johnniebo first experimented with carving and drawing. They moved to Cape Dorset in 1966 in order for their children to attend school, and continued to work closely together until Johnniebo's death. Kenojuak’s drawings were immediately captivating, and she was represented in almost every annual print collection since 1959. Her work has also been included in numerous special projects and commissions. In 1961 she was the subject of a film produced by the National Film Board about her traditional life and art. The film is still shown today, and was instrumental in introducing her to the world beyond Cape Dorset. In 1970 her print, Enchanted Owl (1960) was reproduced on a stamp commemorating the centennial of the Northwest Territories, and again in 1993 Canada Post selected her drawing entitled The Owl to be reproduced on their .86 cent stamp.
Special commissions included the World Wildlife Print Portfolio released in 1978. In the same year, the Commonwealth Print Portfolio featured one of her works. Her art and life were the focus of the limited edition book entitled Graphic Arts of the Inuit: Kenojuak, published in 1981. In 1988, Via Rail Canada commissioned a large mural from Kenojuak for their Club Car series, which featured some of Canada’s most highly respected artists. Kenojuak's print Nunavut Qajanatuk (Our Beautiful Land) was commissioned by Indian and Northern Affairs Canada to commemorate the signing of the Inuit Land Claim Agreement in Principle, in April 1990. To commemorate the signing of the Final Agreement early in 1994, Kenojuak conceived and hand-colored a large and exclusive lithograph entitled Nunavut.
April 1st, 1999 marked the official inception of the new Territory of Nunavut in Canada’s Arctic. To commemorate this historic event, Dorset Fine Arts released a special edition of 99 prints by Kenojuak – a large diptych entitled Siilavut, Nunavut (Our Environment, Our Land).
Kenojuak received many special honors over the years. She was a Companion in the Order of Canada, which she originally received in 1967. In 1992, she was awarded Honorary Degrees from both Queen's University and the University of Toronto. In 1996 she received the prestigious Lifetime Achievement Award at the National Aboriginal Achievement Awards Ceremony in Vancouver. In the spring of 2001, Kenojuak was inducted into Canada’s Walk of Fame, and traveled with her daughter, Silaqi, to attend the ceremonies in Toronto. She is the first Inuit artist to be so honored, and joined many other famous and accomplished Canadians.
Kenojuak traveled all over the world as an ambassador for Inuit art. In 1969, she and Johnniebo traveled to Ottawa to collaborate on a mural which hung in the Canadian Pavilion at Expo '70 in Osaka, Japan. In 1980, she traveled to Rotterdam, Holland to be present at The Inuit Print exhibition which was opened by the Queen of the Netherlands. In 1991, she traveled to Seul, South Korea to attend the opening of an exhibition of prints and sculpture, and in 1994, she was invited to open the exhibition Arctic Spirit: 35 Years of Canadian Inuit Art at the Frye Art Museum in Seattle, Washington. She also traveled to Ottawa in the fall of 1994 for the opening of Isumavut: The Artistic Expression of Nine Cape Dorset Women. In 2004, she was off to Germany to take part in cultural festivities celebrating the territory of Nunavut, and her contribution to Inuit graphic art. Her major stained glass commission was installed in the fall of 2004 at the John Bell Chapel at Appleby College just west of Toronto.
In the fall of 2007 Kenojuak traveled to Toronto to attend the launch of Cape Dorset Prints: A Retrospective – a major publication celebrating fifty years of printmaking at the Kinngait Studios. IN 2008, she added to her list of honors the Governor General’s Award for excellence in the visual arts. Sponsored by the Canada Council for the Arts, she traveled to Ottawa in March 2008 with her daughter, Silaqi, to attend the exhibition at the National Gallery and events at the residence of the Governor General. She was back in Ottawa in 2009 to participate in events surrounding the 50th anniversary of the Kinngait Studios.
In January, 2013, after a long and illustrious career, Kenojuak died peacefully at home surrounded by her loving family.<
All items are sold as is. The auction house does not warrant authenticity on any specific piece. THERE ARE NO RETURNS. We can only offer our opinion and the material facts about the item and its condition.
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ITEMS NOT PICKED UP AFTER 30 DAYS WILL BE CONSIDERED FORFEITED WITHOUT REFUNDS.Wear consistent with age and use. - some abrasions and scratches to the frame.Condition
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