PO Box 2135
Asheville, NC 28802
United States
Based in Asheville, North Carolina, Brunk Auctions has been conducting sales of fine and decorative arts for over 30 years. Auctions are held in our North Carolina sale room but attracts a global audience. Founded by Robert Brunk in 1983, the auctions became well known for their integrity and profes...Read more
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Dec 5, 2024
Mary R. Shell, Madison, Morgan County, Georgia, 1930, pieced quilt, cotton, “Circle Saw” pattern, 75 x 62 in. overall
Note: In the catalog description from Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000, pg. 138, cat. no. 433, Burrison writes, “This unique design was inspired by circular blades at the sawmill where the African American maker’s husband worked. The “teeth” are made from sewing scraps; the top was dyed with red clay and salt “on a cloudy day, so the color is cloudy.”;
Georgia, late 1800s, pieced and appliquéd quilt, cotton, “Cotton Boll” pattern, 78 x 69-1/2 in. overall
Note: In the catalog description from Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000, pg. 138, cat. no. 434, Burrison writes, “Wear of the pattern’s colored material reveals that it was stitched onto the white top.”;
Ms. Sidney Fowler, Blount County, Georgia, 1870s, fabric, cotton, plaid pattern, 89 x 33 in. overall.
Note: In the catalog description from Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000, pg. 136, cat. no. 406, Burrison writes, “This bolt of homespun, eight yards long, was stored away just as it came off the loom, never to be used for warm-weather dresses or shirts.”;
Annie B. Howard, Madison, Morgan County, Georgia, 1957, pieced quilt, cotton, “Brick Work” and strip pattern, 82-1/4 x 77 in. overall
Note: In the catalog description from Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000, pg. 138, cat. no. 433A, Burrison writes, “This African American quilt was made as a light cover, its thin middle layer apparently a quilt top. With its framed center and improvised strip border, Anglo-American and African American design elements are combined.”
Illustrated: Shaping Traditions: Folk Arts in a Changing South, John Burrison, University of Georgia Press, 2000, plate 13, description on pg. 138, cat. no. 433A.
Exhibited: Previously on Loan at the Atlanta History Center for viewing in the exhibition Shaping Traditions: Folk Arts in the Changing South from 1996 to 2024
Provenance: From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia
From the Folklife Collection of Southern Pottery Scholar, Author and Professor of English at Georgia State University, Dr. John Burrison, Atlanta, Georgia
Purchased items will be available for pick up or shipping from our Asheville, North Carolina auction facility within ten business days of the auction will be assessed a storage fee of $5.00 per day, per item. Purchaser agrees that packing and shipping is done at the purchaser's risk and that the purchaser will pay in advance all packing expenses, materials, carrier fees and insurance charges. At our discretion, items will either be packed by an agent such as a packaging store or Brunk Auctions. Please allow two weeks for shipping after payment is received. Shipment of large items is the responsibility of the purchaser. We are happy to provide names of carriers and shippers if a purchaser so requests. Brunk Auctions will have no liability for any loss or damage to shipped items.
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