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THBAndrew Wyeth
About Seller
PO Box 2135
Asheville, NC 28802
United States
Based in Asheville, North Carolina, Brunk Auctions has been conducting sales of fine and decorative arts for over 30 years. Auctions are held in our North Carolina sale room but attracts a global audience. Founded by Robert Brunk in 1983, the auctions became well known for their integrity and profes...Read more
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About Auction
LiveOct 16, 2024
Including fine art, furniture, silver, maritime art, Native American art, & decorative arts including early ceramics and folk art; a rare Angel Gabriel weathervane; important Kentucky and North Carolina silver; Southern fine art by Hutty, Verner, and a Tennessee scene by James Hope; Charleston and other Southern furniture; American art including works by Sanford Gifford, George de Forest Brush, Theodore Butler, Ernest Lawson, two works by Andrew Wyeth, and others from the collection of Barbara Novak; and important Native American art featuring a Blackfoot war shirt and a Santo Domingo shield. Brunk Auctions support@brunkauctions.com
View Full Catalog (387)
- Lot Description
(American 1917-2009)
Undercover and Evening at Kuerner's Study, a double-sided work, 1970,signed lower left (Undercover) "Andrew Wyeth", watercolor and drybrush on a single sheet of paper, sight 26 x 39 in.; fine wood frame, 35 x 48-1/4 in.
Acquired directly from the artist, late 1970s; Private Collection, Greenville, South Carolina; by descent in the family; A Private Family Collection
Provenance note: The original owner of this double-sided work became friendly with Andrew and Betsy Wyeth during the 1970s, at a time when they were also involved in the building of a new facility that would be the Greenville County Museum of Art. They visited the Wyeth's in Chadd's Ford on numerous occasions, and were able to finally acquire Undervcover/Kuerner's Farm, which were personal favorites of the artist. Today, the Greenville County Museum of Art owns the world’s largest public collection of watercolors by Andrew Wyeth.
Note: The Andrew & Betsy Wyeth Study Center of the Brandywine Museum of Art confirms that this object is recorded in Betsy James Wyeth’s files.
Exhibited: The Brandywine Heritage, Brandywine River Museum of Art, Chadds Ford, Pennsylvania, June 18-October 17, 1971, illustrated; Japan, National Museum of Modern Art, Andrew Wyeth, April 6-June 30, 1974, illustrated. New York, Hirschl & Adler Galleries, Inc.; Williamstown, Massachusetts, Clark Art Institute, Second Williams College Alumni Loan Exhibition, April 1- June 13, 1976, illustrated. Greenville, South Carolina, Greenville County Museum of Art, Andrew Wyeth: In Southern Collections, February 1-March 31, 1978, illustrated. Jacksonville, Florida, Jacksonville Art Museum, Andrew Wyeth: Southern Collections, January 19-April 19, 1992, illustrated.
Literature: The Great American Nude: A History in Art, New York, W.H. Gerdts, 1974, illustrated page 192;. “Art in Asheville: Wyeth’s Works on Display,” Citizen Times, Asheville, North Carolina, February 12, 1978. “Wyeth on Exhibit: Son to Lead Tour,” Nashville Tennessean, Nashville, Tennessee, February 5, 1978; Andrew Wyeth: The Helga Pictures, New York, J. Wilmerding, 1987, p. 25, illustrated; Andrew Wyeth : Master Drawings from the Artist’s Collection Adams, Henry, Andrew Wyeth, and Brandywine River Museum. 2006, Chadds Ford, Pa., Seattle, WA: Brandywine River Museum ; Distributed by University of Washington Press., page 62; Study for ‘Evening at Kuerner’s’ Fine Arts Museums of San Francisco, The Art of Andrew Wyeth, Greenwich, Connecticut, 1973, p. 19, final painting illustrated. B.J. Wyeth, Wyeth at Kuerners, Boston, Massachusetts, 1976, p. 44, illustrated. “Two Worlds of Andrew Wyeth: Kuerners and Olsons,” Metropolitan Museum of Art Bulletin, vol. XXXIV, no. 2, New York, 1976, pp. 54-55, final painting referenced. A. Wyeth, T. Hoving, Andrew Wyeth: Autobiography, Boston, Massachusetts, 1995, p. 90; Unknown Terrain: The Landscapes of Andrew Wyeth, exhibition catalogue, Whitney Museum of Art, New York, 1998, p. 160, no. 131; Andrew Wyeth: Looking Out, Looking In, National Gallery of Art, , Washington, D.C., 2014, pp. 34-35, pl. 19; Frozen Lives : Karl and Anna Kuerner, Andrew Wyeth’s Iconic Couple, Streeter, LuLynne. 2017. . Atglen, PA: Schiffer Publishing, Ltd.
Condition
not examined out of sealed frame, both sides with vibrant color, one tear at lower left edge near signature on Undercover (see note below); frame in good condition
Note: according to the consignor, when the artist used the reverse side of the Kuerner's study to create Undercover, the sheet was slightly torn. He then repaired it with tape. The tape remained for many years on the sheet as the artist had left it. The pigment that shows through the tear is further proof that the tear was on the sheet "as made".
- Provenance
Acquired directly from the artist, late 1970s; Private Collection, Greenville, South Carolina; by descent in the family; A Private Family Collection
Provenance note: The original owner of this double-sided work became friendly with Andrew and Betsy Wyeth during the 1970s, at a time when they were also involved in the building of a new facility that would be the Greenville County Museum of Art. They visited the Wyeth's in Chadd's Ford on numerous occasions, and were able to finally acquire Undervcover/Kuerner's Farm, which were personal favorites of the artist. Today, the Greenville County Museum of Art owns the world’s largest public collection of watercolors by Andrew Wyeth.
- Shipping Info
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Purchased items will be available for pick up or shipping from our Asheville, North Carolina auction facility within ten business days of the auction will be assessed a storage fee of $5.00 per day, per item. Purchaser agrees that packing and shipping is done at the purchaser's risk and that the purchaser will pay in advance all packing expenses, materials, carrier fees and insurance charges. At our discretion, items will either be packed by an agent such as a packaging store or Brunk Auctions. Please allow two weeks for shipping after payment is received. Shipment of large items is the responsibility of the purchaser. We are happy to provide names of carriers and shippers if a purchaser so requests. Brunk Auctions will have no liability for any loss or damage to shipped items.
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- Condition
not examined out of sealed frame, both sides with vibrant color, one tear at lower left edge near signature on Undercover (see note below); frame in good condition Note: according to the consignor, when the artist used the reverse side of the Kuerner's study to create Undercover, the sheet was slightly torn. He then repaired it with tape. The tape remained for many years on the sheet as the artist had left it. The pigment that shows through the tear is further proof that the tear was on the sheet "as made".
