The central field features large, bold geometric patterns, including a central diamond medallion and multiple stepped or hooked motifs. These motifs are framed by additional angular patterns, with secondary symbols filling the surrounding space. The mihrab design has a tribal, almost architectural aesthetic, with symmetry typical of rugs from nomadic or village origins. Predominantly red and rust tones, with accents in blue, ivory, and hints of green. Caucasian, ca. 1900's
Condition
Wear to the weft, some holes and losses, old repairs, visible irregularities.
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