Pre-Columbian, Peru, Vicus culture, ca. 200 BCE to 600 CE. A fantastic polychrome terracotta double-chambered vessel presenting an extensively detailed parrot perched upon the front chamber joined to the rear chamber by an upper curved handle as well as a tubular connection between the chambers below. The vessel bodies themselves are adorned by attractive, extensive abstract geometric decorative programs in red, cream, and black hues. But most striking is the parrot, modeled in the round and presenting a lively and expressive countenance with bulging eyes encircled by concentric black and cream markings, a pronounced hooked beak, a striped and dotted feathery coat - with openwork incorporated into the mouth, between the eyes, and on the back of the head to help produce a whistling sound. A beautiful vessel, which still functions and whistles! Size: 10.5" W x 8.125" H (26.7 cm x 20.6 cm)
Parrots were highly revered by the ancients of the Americas for their brilliant plumage and ability to fly well above the tree line. To the ancients, these birds’ ability to talk in combination with their inhabitance of the sky world suggested that they served as intermediaries between humankind and the deities – or even as incarnations of sky deities.
The Vicus culture is one of the earliest known ceramic making traditions in Peru, comparable to the Olmec in Mesoamerica, and in this vessel you can see the tradition that would lead to later styles like those of the Moche and the Inca. Vicus ceramics were in turn influenced by the Gallizano and Salinar cultures, north in Ecuador. We believe that Vicus ceramics like this piece played a role in funerary culture, as grave offerings, and in feasting, to drink ritual liquids.
Provenance: private Hawaii, USA collection; ex-private New York, USA collection
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#139220
Condition
Loss to tip of parrot's tail. Chambers reconnected - vessels repaired from about a half dozen pieces. Expected surface wear commensurate with age. Nice areas of mineral deposits.