William Draper Painting - "Ilka Chase" (1948)

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Fall Antiquities & Ethnographic Art Auction

By Artemis Gallery

Oct 21, 2021

Set Reminder 2021-10-21 10:00:00 2021-10-21 10:00:00 America/New_York Bidsquare Bidsquare : Fall Antiquities & Ethnographic Art Auction https://www.bidsquare.com/auctions/artemis-gallery/fall-antiquities-ethnographic-art-auction-7725
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• Lot Description
  William Franklin Draper American, 1912-2003). "Ilka Chase" oil on canvas board, 1948. Signed "Wm. F. Draper '48" on lower right. A stunning portrait of Ilka Chase (American, 1905-1978) by William Draper. Draper depicts the American actress, novelist, and radio host in a bust-length composition, gazing toward her left, and placing her right, beautifully manicured hand to her head as if in mid-thought. Chase is simply dazzling! Her beautiful visage is framed by a stylish rolled back, wavy coiffure characteristic of the 1940s, and she wears a silver jacket with black lace and beaded details adorning the shoulders as well as an emerald ring and earrings. An elegant portrait of this American starlet! Size: 19.75" L x 23.75" W (50.2 cm x 60.3 cm)
  
  Ilka Chase made her Broadway debut in "The Red Falcon" (1924) and later appeared in "Days Without End", "Forsaking All Others", "While Parents Sleep", "Small Miracle", "On to Fortune", "Tampico", "Keep Off the Grass", "in Bed We Cry", the original cast of Clare Boothe Luce's "The Women", and Neil Simon's "Barefoot in the Park." Her films included "Fast and Loose" (1930), "The Animal Kingdom" (1932), Voyager (1942), "Once a Sinner" (1950), "The Big Knife" (1955), and "Ocean's 11" (1960) as Mrs. Restes. Chase was also a favorite radio personality in the early 1940s, hosting "Penthouse Party" on CBS, "Luncheon Date with Ilka Chase' on NBC Red, and "Luncheon at the Waldorf".
  
  Peter Rathbone, Director Emeritus of the Boston Museum of Fine Arts, whose portrait Draper also painted stated, "Nature endowed William F. Draper with enough talents to require him to choose among them before embarking on a professional career. Yet to those who know him, it is hard to imagine that any natural bent could rival his personal endowment as a painter of portraits . . . Draper's painting belongs to the tradition of Sargent. Like Sargent's, his style is fluid with virtuoso brushwork as the identifying characteristic. Like Sargent, the preparation of the painting by Draper is all in the artist's eye. Unlike Sargent's detachment, Draper's understanding and love of people and his appreciations of physical subtleties are happily projected into his work. These traits are the source of the warmth and vitality of his portraiture. They are also the reasons why his portraits are fine likenesses. And it is not too much to say that something of his own vibrant personality is reflected in everything he paints." ("Portraits Period" by Portrait Brokers of America, 1990, p. 46)
  
  William Draper's career spanned seven decades and his subjects included a portrait of John F. Kennedy that hangs in the National Portrait Gallery in Washington D.C. based upon an oil sketch for which the president sat in 1962. Draper was actually the only artist who painted JFK from life. Draper showed at Knoedler, the Graham Gallery, Portraits, Inc., the Far Gallery, The Findlay Galleries (New York, NY) and the Robert C. Vose Galleries (Boston, MA). His work has been included in shows at the National Portrait Gallery and the Corcoran Gallery of Art (Washington, D.C.), The National Academy of Design (New York, NY), The Boston Museum of Fine Arts, (Boston, MA) the Fogg Art Museum, (one of the Harvard Art Museums, Cambridge, MA), the National Gallery, (London), Salon de la Marine (Paris) and in museums in Australia. He also taught at the Art Students League of New York, and received a lifetime achievement award from the Portrait Society of America in 1999.
  
  More on the artist's background: William Franklin Draper was born in Hopedale, Massachusetts on December 24, 1912. A child prodigy, he studied classical piano at Harvard University. He later changed his focus to fine art and studied with Charles Webster Hawthorne and Henry Hensche in Provincetown, Rhode Island. Draper also attended the National Academy of Design in New York and the Cape Cod School of Art in Massachusetts. Then he traveled to Spain and studied with Harry Zimmerman, moved on to France and attended the Academie de la Grande Chaumiere. In 1937, he moved to Boston to study sculpture with George Demetrius and also studied with Jon Corbino in beautiful Rockport, Massachusetts. In 1942, Draper joined the Navy and served as a combat artist when stationed on the Aleutian Islands and in the South Pacific. He observed and painted battle scenes on Bougainville, Guam, Saipan, and other locations, as well as genre scenes of soldiers who were not engaged in combat but rather at work and at play. National Geographic magazine reproduced 25 of his war images in four issues in 1944. In 1945, the Corcoran Gallery of Art in Washington D.C. organized a group exhibition of works by five official war artists, including Draper. That same year the Metropolitan Museum of Art included Draper in an exhibition entitled, ''The War Against Japan.'' Draper was also featured in a PBS television show about combat artists entitled, "They Drew Fire" in May of 2000. After the war, Draper opened a studio on Park Avenue in New York City and continued to not only paint, but also play classical and jazz piano.
  
  Provenance: The William F. Draper Collection, New York City, USA, acquired via descent from the late William Franklin Draper (1912-2003), an accomplished American artist whose career spanned seven decades. Known as the "Dean of American Portraiture," William Draper was the only artist to paint President John F. Kennedy from life, and his oeuvre includes marvelous landscapes from his world travels, military paintings as he was one of only seventeen Combat Artists in WWII, and portraits of illustrious individuals.
  
  All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
  
  A Certificate of Authenticity will accompany all winning bids.
  
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  Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping.
  
  #153757

  Condition

  Painting is in nice condition save minor wear to the peripheries. Signed "Wm. F. Draper '48" on lower right. Grand Central Art Gallery exhibition label on the verso is folded over at the top right corner, but still attached, and handwritten text identifying the piece is visible.
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