Northern Europe, Viking / Norse culture, ca. 9th to 10th century CE. A stunning pair of silver bracelets of serpentine form, each presenting a head at one end adorned by scrolled eyes and a protruding snout (two granules marking the upper end and two marking the lower end of the snout), and a sinuous body made to wrap around the wearer's wrist with meticulously rendered skin adorned by circular scale motifs. The interior faces of each bracelet are stamped with triangular motifs, some isolated and other paired or arranged in trios or quads. The serpent form relates to the Norse myth of Jormungandr (Jormungand), the Midgard Serpent, a child of Loki and a giantess who according to legend grew so large that it was able to surround the earth and grasp its own tail, forming an ouroboros. Size: larger bracelet measures 2.625" W (6.7 cm) in diameter (6.4 cm) with a 2.25" in diameter (5.7 cm) opening; the other bracelet is only slightly smaller; Weights: larger measures 75 grams and the other measures 69.3 grams; Total Weight: 144.3 grams
According to legend, when the Midgard Serpent releases its tail, Ragnarok - the final battle of the gods that will result in Earth becoming completely covered in water - will begin. One of the most popular motifs in Norse art concerns the story of Thor and Jormungandr. In classic Thor style, he sets off on a reckless fishing expedition, taking the head of an ox as his bait, and sails further out to sea than he should. With a large hook and the ox head, he catches Jormungandr, who surfaces, poison and blood dripping from his mouth. Thor's terrified fishing companion, the giant Hymir, quickly cuts Thor's line before he can slay the serpent with his hammer and Jormungandr sinks beneath the waves, the threat at bay - for the moment. Multiple Viking picture stones have been found depicting this story, including one from as early as the late 8th century.
A piece such as this would have been made in a specialized workshop centered around a hearth, most likely using the lost wax casting technique. The important Viking metalworking shops correspond to their great trading ports and proto-urban centers - Birka, Helgo, Sigtuna, and Lund in Sweden, Ribe, Haithabu (Hedeby), and Fyrkat in Denmark, and Kaupang and Trondheim in Norway. Silver was the principal currency of the Viking world, which stretched from Russia to northern Canada at the height of their influence. In many places, the Vikings kept silver not as coins, but as jewelry, a wearable currency form that was not subject to the authority of a monarch or mint. One of the most common archaeological finds from the Viking period is a hoard of metal objects, often buried in the earth or deposited in bodies of water, like river beds.
Provenance: private New York, New York, USA collection
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#132866
Condition
There is some surface wear and tarnish commensurate with age; however, most details are still vivid. Both bracelets are beautiful and wearable.