Pacific Islands, possibly Fiji, Samoa, Hawaii, Tonga, the Cook Islands, or Papua New Guinea, ca. 1970 CE. A stunning pair of tapa cloths presenting multiple nested bands of stylized geometric motifs in a vibrant color palette of black and russet red on the natural beige ground, arranged with a central rectangular/square panel that is surrounded by additional bordering bands of similar motifs. Tapa cloths are still used today for ceremonial occasions - sometimes made into clothing and masks for dances or offerings for marriages and funerals- as well as impressive wall decorations. These examples are particularly impressive for their painstakingly executed decorative programs and vintage age. What's more, they make a wonderful pair with compositions and color schemes that complement one another beautifully. Size: 24.5" L x 23.5" W (62.2 cm x 59.7 cm) - lighter palette; 26" L x 22.625" W (66 cm x 57.5 cm) - darker palette
According to the curatorial staff at Harvard University's Peabody Museum: "For hundreds of years, tapamaking was one of the most sophisticated plant-fiber technologies in the Pacific Islands. In the eighteenth century and before, tapa served as both daily and ceremonial clothing. It was made into headdresses, turbans, loincloths, sashes, girdles, skirts, and ponchos. The cloth was used for bedcovers, wall dividers, or mosquito curtains as well as for special wrappings of staff gods, for the outer layer of sculptures, for wrapping skulls, and for masks. Individuals were surrounded by tapa at birth, weddings, and death. Special cloths were made for dowries, diplomatic gifts, and treaty agreements. Large-scale accumulation of tapa signified wealth and aided in achieving status. It was also used to pay tribute. Barkcloth material, partially processed or as undecorated sheets, was an important trade item and was exchanged for plaited mats, adzes, whaleteeth, and sandalwood. Eventually, the increased availability of woven cotton cloth made in Asia and Europe led to a significant decline of hand-produced tapa, altered its use, and encouraged further changes in the ways in which tapa was decorated." (https://www.peabody.harvard.edu/node/2271)
Provenance: private Poos collection, Overland Park, Kansas, USA; purchased from private collection in 2017 - One of the largest privately held quilt and textile collections in the world, the Poos Collection has evolved over 50 years and through extensive travels to allow for original or point of source acquisition. The collection includes international textiles and garments with an emphasis on West African textiles such as adire, aso oke, kente, and ewe woven prestige cloths as well as Pacific Island textiles like this example.
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
We ship worldwide and handle all shipping in-house for your convenience.
#145902
Condition
Lighter tapa cloth shows a few ink-wash stains. Both show expected fold marks, creases to corners, and some separation to fibers, particularly at fold marks. Darker one has some folds to edges. Painting is still vivid on both.