Pre-Columbian, Mexico, Vera Cruz culture, also known as Totonac (Totonaca), Remojadas, ca. 300 to 600 CE. A dramatic ceramic depiction of a warrior, shown standing in a dynamic pose, legs apart, arms bent at the elbow and hands clasped around a staff. The face stares straight ahead, lifelike with wide eyes, a narrow nose, and mouth set into a thin line. The figure wears a helmet with a short crest atop it, large looped earrings, and a long necklace; the helmet is affixed to the head by a thin strap under the chin. Thick black pigment known as chapopote, that is common to Veracruz artwork and is made from petroleum-rich deposits, covers the entirety of the face and then is smeared in thick lines down from the neck, forming a radiating pattern down the shoulders to the upper arms and down the chest. The staff is also painted fully black. Size: 10.1" W x 20.75" H (25.7 cm x 52.7 cm)
The sophisticated skills used by the artist to construct this piece demonstrate how advanced ceramic technology was in this culture. The arms, head, and legs, all hollow, were made separately and fitted onto the torso, with the joints smoothed over to disguise them. The ornament was also constructed separately, then pressed onto the surface of the body. The piece was fired all together after the clay had dried for a brief period. Imagine the workshop where this item was made - full of disembodied limbs and heads in the process of being sculpted into shape. Figures like this one are often found with the bodies smashed into pieces and the heads largely intact, as they were ritually destroyed as burial offerings.
Provenance: ex-John Rich collection, California, USA. John was a notable Hollywood producer/director.
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#145719
Condition
Repaired and restored from multiple pieces - at waist, legs, arms, and neck. This is well done and difficult to see. All pigment is original. Loss to front of one foot as well as part of the helmet.