Stunning Egyptian Late Dynastic Bronze Figure of Cat

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Exceptional Antiquities, Asian, Ethnographic

By Artemis Gallery

Feb 13, 2020

Set Reminder 2020-02-13 10:00:00 2020-02-13 10:00:00 America/New_York Bidsquare Bidsquare : Exceptional Antiquities, Asian, Ethnographic https://www.bidsquare.com/auctions/artemis-gallery/exceptional-antiquities-asian-ethnographic-4848
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• Lot Description
  Egypt, Late Dynastic to Ptolemaic Period, ca. 664 to 30 BCE. An exquisite cast-bronze figure of a cat of an instantly recognizable Egyptian style, seated upon its plump haunches with its sinuous tail wrapped around its hind legs and fore paws. The seated feline relaxes with its back gently arched and its chest protruding forward in a patient, defensive pose with its weight leaned over the front legs as if ready to strike at the first mouse it sees. The head rests atop a tapered neck and features a charming countenance defined by almond eyes, a tapered snout, a thin mouth with lightly impressed corners, and a pair of pierced ears. Cats were some of the most important and highly symbolic animals in Egyptian mythology, and figures like this were perhaps created as votive offerings to the Bastet, the goddess of cats or Sekhmet, the lioness-headed goddess of war. Gorgeous areas of brown, green, and russet patina have formed across the composition. Size: 3.875" L x 1.5" W x 3.6" H (9.8 cm x 3.8 cm x 9.1 cm); 4.5" H (11.4 cm) on included custom stand.
  
  The ancient Egyptians, rather uniquely among the world's civilizations, had an obsession with cats, both tame and fierce, large and small. Cats were domesticated to help protect crops from pests in Cyprus or possibly Mesopotamia (it is difficult to interpret the archaeological record on this matter for a variety of reasons), but the Egyptian love of cats seems to have gone above and beyond that of their contemporaries. The cemetery at Hierakonpolis includes a cat skeleton in a pre-Dynastic tomb (ca. 3700 BCE) that had a broken left humerus and right femur that seem to have been set by a human and allowed to heal before that cat's ultimate death. The first illustration of a cat with a collar comes from a 5th Dynasty (ca. 2500 to 2350 BCE) Egyptian tomb at Saqqara. Cats were the most frequently mummified animal in Egypt and there were multiple feline goddesses, including the domesticated cat-form Bastet.
  
  Bastet was initially a lioness goddess associated with the solar god and channeled its destructive power. However, by the early first millennium BCE, she assumed a more domestic feline form and became understood as a goddess of fertility and a guardian of the home. Ever since, statuettes comprised of various materials have characterized her as a doting mother cat. Her cult expanded decisively when her town in Bubastis (derived from per Bastet or "house of Bastet"), became the royal residence of the kings of the 22nd Dynasty, during the 10th century BCE. The city hosted an annual festival honoring Bastet in celebration of the Nile flood waters, and she was honored throughout Egypt through the first millennium BCE.
  
  For a strikingly similar example, please see The Metropolitan Museum of Art, accession number 66.99.145.
  
  A stylistically similar example, of a larger size, hammered for $10,625 at Sotheby's, New York "Egyptian, Classical, and Western Asiatic Antiquities" auction (June 3, 2015, lot 20).
  
  Another stylistically similar example, of a larger size, hammered for GBP 40,000 ($52,752.80) at Christie's, London "The Resandro Collection" auction (sale 14490, December 6, 2016, lot 138).
  
  Provenance: ex-Norman Blankman collection, New York, USA, acquired in 1959
  
  All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
  
  A Certificate of Authenticity will accompany all winning bids.
  
  We ship worldwide and handle all shipping in-house for your convenience.
  
  #153166

  Condition

  Repaired from a few large pieces, with restoration to much of chest and shoulders, and resurfacing and overpainting along new material and break lines. Abrasions and nicks to head, body, legs, base, and lower tenons, with softening to some facial details, light encrustations, and slight bending to one foot. Light earthen deposits and wonderful patina throughout.
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