Near East, Persian Empire, Islamic Culture, ca. 11th to 12th century CE. This is a gorgeous gold ring with delicate filigree surrounding a garnet cabochon set in the face. The 82.75% (equivalent to 19K+) gold spiraling filigree and granulated embellishments are executed with great skill- the band widens at the shoulders to form a face for the garnet stone. The cabochon is ovoid and highly polished - the filigree clinging around the peripheries, securing the gemstone in place. A careful examination shows that probably a gold leaf was applied to a cast core. This technique is very difficult, requiring the perfect workmanship involving casting, repousse, granulation, and filigree making, attesting to the mastery of this goldsmith. This stunning ring would have been undoubtedly a treasured possession, and an impressive display of wealth and status. Size: 0.9" L x 0.72" Diameter (2.3 cm x 1.8 cm); garnet cabochon: 0.4" L x 0.3" W (1 cm x 0.8 cm); band opening: 0.65" Diameter (1.7 cm); US ring size: 4.5; gold quality: 82.75% (equivalent to 19K+); weight: 2.8 grams
Garnets get their name for the Latin word "granatus," meaning "seed-like" - a likely allusion to the similarities in appearance of small red garnets and pomegranate seeds. In antiquity, garnets were popular gemstones, considered just as beautiful as rubies. The very earliest descriptions of garnet date to Roman times; Pliny the Elder (23/24 to 79 CE) referred to the dark-red variety as carbunculus alabandicus, the fire-stone from the city of Alabanda (modern Turkey), an important market place for gemstones found in Asia during Pliny's time.
Filigree and granulation are among the oldest goldsmithing techniques. The techniques involved include twisting silver or in this case gold wires and soldering incredibly tiny beads comprised of the same precious metal onto the surface of the piece of jewelry. This very complicated technique requires painstaking attention to detail that relatively few jewelers have ever mastered. Ancient civilizations such as the Mesopotamians, Greeks, and Etruscans developed the methodology; filigreed and granulated jewelry continued to be popular in the Roman empire, and was also sought after by the Slavs, Anglo-Saxons, and Vikings. The techniques and styles remained popular throughout the Middle Ages, and during the early centuries of the emerging Islamic culture, craftsmen continued the classic designs and techniques of the Sasanian, Roman, and Byzantine traditions.
For a similar example of this style, please see the Rhode Island School of Design Museum of Art's website, object number: 32.058 and for more information please reference "Islamic Jewelry in the Metropolitan Museum," Marilyn Jenkins and Manuel Keene, New York, 1983, pp. 17-18 and pp. 37-88.
Provenance: private New York, USA collection; ex-private European collection, acquired in 1992
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#170809
Condition
Garnet stone is intact. Losses to filigree around garnet setting and hairline tear to gold in this area. Indentations to filigree and nicks to interior of band. Softening and rubbing to high pointed areas of ring band. Gold is professionally cleaned. Ring is wearable.