South Arabia, Saudi Arabia and Yemen, probably Qatabanian culture, ca. 2nd century BCE to 2nd century CE. A huge slab of thick alabaster, carved into a table with a slightly raised border, a smooth, flat interior, squared-off edges, and, at one shorter side, a short projection with a high relief head of a bull flanked by the heads of four ibexes. The bull head has a shallow groove between its horns that serves as a drain. The drain, for allowing sacrificial blood to flow off its smooth surface, allows us to imagine the sacrificial offerings being made. The animals are delightfully stylized in a classically South Arabian manner, with wonderfully symmetrical form, while the alabaster glows a warm cream color in any light, with bands of red-brown snaking across its surface. Size: 27.35" L x 16.7" W x 6.4" H (69.5 cm x 42.4 cm x 16.3 cm)
The people of ancient South Arabia practiced a form of paganism that would ultimately be replaced by Islam, and that is largely lost to us today. It involved ritual sacrifice of animals, using tables like this one, and worship of powerful beings who often took animal form. For example, the bull's face symbolizes Anbay, the chief god, who was a deity of justice - indeed, his name was even invoked in the ancient Arabian kingdom of Qataban for the filing of paperwork and the regulating of resources! The ibexes, meanwhile, symbolize virility and evoke the taming of the wild associated with the hunt.
A similar table, featuring only ibexes, sold for $52,500 at Christie's, New York "Antiquities" auction (sale 2056, December 8, 2008, lot 54)
Provenance: East Coast, USA collection; ex major New York Gallery before 2011
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
We ship worldwide and handle all shipping in-house for your convenience.
#146020
Condition
Small losses to peripheries, notably the lower edge, with scratches, chips, and nicks commensurate with age. Overall the piece is in very nice condition, unrepaired and with light deposits.