Robert Rauschenberg (American, 1925-2008). Untitled (Arrow) color offset lithograph on cream wove paper, 1984. Signed, dated, and numbered 1/90 in pencil on lower margin. Star shaped blindstamp for the printer Larry B. Wright on lower margin as well. A hand-signed, colorful, framed Robert Rauschenberg offset lithograph featuring images of collaged photographs the artist selected from books and magazines that bring disparate eras, cultures, and meanings together - a Roman goddess joins a Thai bodhisattva, and a modern day motorcycle shares the picture plane with mundane objects such as a push broom. Although untitled, this piece has been dubbed "Arrow" for the bold blue arrow Rauschenberg placed at the upper left. This is a special find, indeed the first of a limited edition of 90 set in its original custom frame. Size: 23" L x 18.25" W (58.4 cm x 46.4 cm) Size of frame: 26" L x 21.375" W (66 cm x 54.3 cm)
Born in Port Arthur, Texas, Robert Rauschenberg studied at Black Mountain College where he was exposed to exciting artists such as Josef Albers and John Cage. Early on in his career, his Black Paintings and White Paintings justifiably earned the attention of the New York art scene. In addition, Rauschenberg met Jasper Johns who would be an important personal and professional influence; their relationship has been described as "one of the greatest love stories in modern art" (Duncan Ballantyne-Way "The Relationship Between Jasper Johns & Robert Rauschenberg" in "fineartmultiple" 2017).
Rauschenberg created memorable artworks for six decades. A master from the Pop Art era, he explored an eclectic array of materials and experimented with various techniques. Perhaps best known for his "Combines" - three dimensional sculptural collages that he created from seemingly ordinary found objects and discarded materials like tires, umbrellas, sheet metal, and newspapers - as well as vibrant silkscreen paintings which he first screen-printed, then painted over, and collaged photographs from books and magazines.
Rauschenberg was the first American to win the Golden Lion award at the Venice Biennale in 1964. From there, he went on to have solo exhibitions at the Guggenheim, Tate Modern, Centre Pompidou, and Moderna Museet, among other elite institutions. His art may be found in collections throughout the globe and has sold for tens of millions at auction; his high auction record is $88.8 million at Christie's in 2019.
Provenance: private Armbruster collection, Wilmington, North Carolina, USA, acquired via descent
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#171651
Condition
Signed, dated, and numbered 1/90 in pencil by the artist on lower margin. Star-shaped blindstamp of the printer Larry B. Wright on lower margin as well. Artwork has not been examined outside the frame but appears to be in excellent condition. Frame is wonderful as well save a few minor scuffs and tears to gallery paper on verso. There is label for Colonial, a framer in Greenwich, Connecticut as well as a stamp with the date Dec 10. 1985 below it suggesting this was the original frame as the piece was created in 1984.