Juan Manuel Gomez-Quiroz (Chilean, 1939-1921). "Star Hunting" lithograph, edition 7/50, ca. 1960s. Signed by the artist in pencil on lower right. Titled in pencil on lower left. Numbered 7/50 in pencil at lower center. A mesmerizing piece by Chilean artist Juan Gomez-Quiroz that clearly demonstrates the artist's fascination with abstraction, though the title conjures associations with the celestial world. Gomez-Quiroz was greatly influenced by Abstract Expressionism and the techniques and principles of Action Painting which dominated the art world in the 1950s. Other important influences on Gomez-Quiroz were Roberto Antonio Matta (1911-2002) and Marcel Duchamp (1887-1968). Size of image: 23.625" L x 19.5" W (60 cm x 49.5 cm) Approximate size of sheet: 29.5" L x 22" W (74.9 cm x 55.9 cm) Size of frame: 30.25" L x 22.75" W (76.8 cm x 57.8 cm)
Juan Manuel Gomez-Quiroz was born in Santiago de Chile on February 20, 1939. A painter as well as a printmaker, he studied at the Gregorio de la Fuente workshop in 1956 and the following year enrolled at the School of Fine Arts, University of Chile. In 1962 he received a Fulbright Scholarship and traveled to study at the Rhode Island School of Design and Yale University's School of Art and Architecture. Eventually, Gomez-Quiroz settled in New York, studied at the Pratt Graphic Center, and was an adjunct professor of art at NYU (New York University) from 1969 to 1976 and also taught at FIT's (Fashion Institute of Technology) Printmaker Workshop. In 1986, he became a curator at the Museum of Contemporary Hispanic Art, and he was a member of the jury at the Olympic Arts Competition. In addition to the visual art world, Gomez-Quiroz adored literature and explored art book techniques. He created a 3-D book of Pablo Neruda poetry, was president of the H.H. Silverman Publishing Company from 1986 to 1988, and director of the Writer's Space at Hostos Community College from 1995 to 2000.
Solo Exhibitions 2006 Museo de la Nacion Lima, Peru 1988 Sutton Galery, NYC 1986 Todd Capp Gallery, NYC 1986 Sutton Gallery, NYC 1984 Omar Rayo Museum, Rodalnillo, Colombia 1983 Sutton Gallery, NYC 1982 Held-Koupernikoff Gallery, Boston, MA 1980 Sutton Gallery, NYC San Sebastian Gallery, San Juan, Puerto Rico 1979 Museo del Grabado Latinoamericano, San Juan, Puerto Rico 1977 Shubert Gallery, Marbella, Spain 1976 Galerie Balcons des Images, Montreal, Canada Galeria Pecanins, Mexico City 1975 Galeria Ars-Concentra, Lima, Perú 1972 Alonzo Gallery, NYC Summit Art Center, New Jersey 1971 Ten Downtown, NYC 1970 Alonzo Gallery, NYC 1968 Alonzo Gallery, NYC 1964 Ledesma Gallery, NYC Kie Kor Gallery, New Haven, CT 1961 Sala Decor Facultad de Bellas Artes, Santiago, Chile Group Exhibitions - Nearly one hundred, internationally Permanent Collections Solomon Guggenheim Museum, NYC Metropolitan Museum of Art, NYC Museum of Modern Art, NYC De Menil Collection, Houston, TX Museum of Fine Arts, Boston, MA Brooklyn Museum, NYC Bronx Museum of Art, NYC Cincinnati Art Museum, OH Center for Inter-American Relations, NYC The Chase Manhattan Bank Everson Museum of Art, Syracuse, NY Museo de Bellas Artes, Santiago, Chile Massachusetts Institute of Technology, Cambridge, MA Museo de Arte Contemporaneo, Santiago, Chile New York Public Library, NYC New York University Art Collection, NYC University of Massachusetts Amherst, MA Cornell University, NY Instituto de Cultura Puertorriquena, Puerto Rico Instituto de Cultura, Lima, Perú.
Provenance: Private Los Angeles, California, USA collection
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#167819
Condition
This lithograph has not been examined outside the frame but appears to be in excellent condition. One can see the Arches watermark on the upper right of the sheet. It is signed by the artist in pencil on lower right., titled in pencil on lower left, and numbered 7/50 in pencil at lower center. There are Couturier Gallery stamps on the verso. Frame shows normal scuffs and stains commensurate with age but is intact, fitted with suspension wire, and ready to display.