Roman, the Levant, late Imperial Period, ca. 3rd to 5th century CE. An incredible mosaic depicting a nude male torso, perhaps belonging to a hero or athlete given his superb physical condition. The subject is portrayed with outspread legs - no fig leaf to hide his privates - and outspread arms. The design is comprised of square stone tesserae in hues of peachy pink, sunny yellow, mauve, sienna, black, and white hues. The composition is impressive in several ways. The artist clearly went to great efforts to study anatomy and rendered the human body with naturalistic proportions, musculature, fine details, and motion. Shape, size, and color of tesserae were varied in order to create shadow and depth in the figure. Even the background is interesting, presenting repeated patterns of nested and radiating arches, concentric circles, and flowing borders surrounding the form. A magnificent piece for anyone who appreciates the male nude. Size: mosaic composition measures 29.75" W x 33.25" H (75.6 cm x 84.5 cm); 31.125" W x 35.25" H (79.1 cm x 89.5 cm) including matrix and metal framing
Mosaics (opus tesellatum) are some of our most enduring images from the Roman world, exciting not only for their aesthetic beauty, but also because they reveal what Romans chose to depict and see every day decorating their private and public spaces. Here we have a depiction of the male nude, perhaps intended for a cubiculum (bedroom) or a balmeum (bath house).
In the Roman province of Syria, which encompassed most of the ancient Near East/Levant, mosaics developed as a popular art form relatively late, with most finds coming from the 3rd century CE or later. Syria was one of Rome's wealthiest provinces, but it was also far removed from Rome itself and Roman culture was overlaid on enduring cultural traditions from Hellenistic Greece and the great civilizations that came before it. Antioch-on-the-Orontes (modern day Antakya, Turkey), was the capital of northern Roman Syria, and its excavations in the 1930s revealed more than three hundred mosaic pavements - of which many embellished public baths. Popular mosaic themes from this region were often mythological or religious scenes, depicting gods and goddesses; however, sometimes mosaics were created to fit the theme of a building or room. This example may have been intended for a bedroom or more likely, a bath house or gymnasium.
Provenance: private East Coast, USA collection; ex-private Connecticut, USA collection
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#139206
Condition
Expected wear with chips, some losses, recessions, and abrasions to the surface commensurate with age. Areas of earth deposits. Set in a modern plaster matrix with a metal frame. Some stones put back when transferred from old concrete and iron frame to a lighter backing and honeycomb, but all stones are original.